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Argo is a 2012 American historical drama thriller film directed, produced and led by Ben Affleck. The screenplay, written by Chris Terrio, was adapted from the 1999 book of the same name by the U.S. Central Intelligence Agency operative Tony Mendez, his memoir The Master of Disguise, and the Wired article by Joshuah Bearman, The Great Escape: How the CIA Used a Fake Sci-Fi Flick to Rescue Americans from Tehran . The film deals with the Canadian Caper , in which Mendez led the rescue of six U.S. diplomats from Tehran, Iran, under the guise of filming a science fiction film during the 1979–1981 Iran hostage crisis.

The film, which also has Bryan Cranston, Alan Arkin, and John Goodman in supporting roles, was released in the United States on October 12, 2012. It was produced by Grant Heslov, Affleck and George Clooney.

Argo was praised for the acting (particularly Arkin and Goodman s), Affleck s direction, Terrio s screenplay, the editing, and Desplat s score. Commentators and participants in the actual operation criticized failures in historical accuracy. The film received seven nominations at the 85th Academy Awards and won three, for Best Picture, Best Adapted Screenplay, and Best Film Editing.

The film also earned five Golden Globe Award nominations: it won Best Motion Picture – Drama and Best Director, and Alan Arkin was nominated for Best Supporting Actor – Motion Picture. It won Outstanding Performance by a Cast in a Motion Picture at the 19th Screen Actors Guild Awards, and Arkin was nominated for Outstanding Performance by a Male Actor in a Supporting Role. It also won Best Film, Best Editing and Best Director at the 66th British Academy Film Awards, Los Angeles Film Critics Association Awards for Best Screenplay, and 37th Hochi Film Award for Best International Picture.

Plot

On November 4, 1979, Iranian Islamists storm the United States embassy in Tehran in retaliation for President Jimmy Carter giving the Shah asylum in the U.S. during the Iranian Revolution, for cancer treatment. Sixty-six of the embassy staff are taken as hostages, but six avoid capture and are sheltered in the home of Canadian ambassador Ken Taylor.

With the escapees situation kept secret, the U.S. State Department begins to explore options for exfiltrating them from Iran. Tony Mendez, a U.S. Central Intelligence Agency exfiltration specialist, is brought in for a consultation. He criticizes the proposals but is at a loss when asked for an alternative. While on the phone with his son, he is inspired by watching Battle for the Planet of the Apes and begins plans for creating a cover story for the escapees: that they are Canadian filmmakers who are in Iran scouting exotic locations for a science-fiction film.

Mendez contacts John Chambers, a Hollywood make-up artist who had previously worked for the CIA. Chambers puts Mendez in touch with film producer Lester Siegel. Together, they set up a phony film production company, publicize their plans, and successfully establish the pretense of developing Argo, a science fantasy adventure in the style of Star Wars, to lend the cover story credibility. Meanwhile, the escapees grow restless. The revolutionaries reassemble embassy photographs shredded before the takeover and realize that some personnel are unaccounted for.

Posing as a producer for Argo, Mendez enters Iran under the alias Kevin Harkins and meets with the six escapees. He provides them with Canadian passports and fake identities. Although afraid to trust Mendez s scheme, they reluctantly go along, knowing that he is risking his own life too. A scouting visit to the bazaar to maintain their cover story takes a bad turn when they are harassed by a hostile shopkeeper, but their Iranian culture contact hustles them away from the hostile crowd.

Mendez is told the operation has been cancelled in favor of planned military rescue of the hostages. He pushes ahead anyway, forcing his boss Jack O Donnell to hastily re-obtain authorization for the mission and rebook their cancelled tickets on a Swissair flight. Tensions rise at the airport, where the escapees new ticket reservations are confirmed only at the last minute, and the head guard s call to the fake production company in Hollywood is answered only at the last second. The escapees board the plane and at about the same time, the airport authorities are alerted to the ruse. They try to stop them but the plane is able to take off.

To protect the hostages remaining in Tehran from retaliation, all U.S. involvement in the rescue is suppressed, and full credit is given to the Canadian government and its ambassador (who shuts down the embassy and leaves Iran with his wife as the operation is underway). The ambassador s Iranian housekeeper, who had known about the Americans and lied to the revolutionaries to protect them, escapes to Iraq. Mendez is awarded the Intelligence Star, but due to the mission s classified nature, he receives the medal in secret and has to return it afterward. The award is restored to him in 1997, after the Canadian Caper is declassified.

As the credits roll, President Jimmy Carter is heard commenting on the operation.

Cast

  • Ben Affleck as Tony Mendez
  • Bryan Cranston as Jack O Donnell
  • Alan Arkin as Lester Siegel
  • John Goodman as John Chambers
  • Victor Garber as Ken Taylor
  • Tate Donovan as Rob Anders
  • Clea DuVall as Cora Lijek
  • Scoot McNairy as Joe Stafford
  • Rory Cochrane as Lee Schatz
  • Christopher Denham as Mark Lijek
  • Kerry Bishé as Kathy Stafford
  • Kyle Chandler as Hamilton Jordan
  • Chris Messina as Malinov
  • Željko Ivanek as Robert Pender
  • Titus Welliver as Bates
  • Keith Szarabajka as Adam Engell
  • Bob Gunton as Cyrus Vance
  • Richard Kind as Max Klein
  • Richard Dillane as OSS Officer Nicholls
  • Omid Abtahi as Reza Borhani
  • Page Leong as Pat Taylor
  • Farshad Farahat as Azizi checkpoint #3
  • Sheila Vand as Sahar

Production

Argo is based on the Canadian Caper that took place during the Iran hostage crisis in 1979 and 1980. Chris Terrio wrote the screenplay based on Joshuah Bearman s 2007 article How the CIA Used a Fake Sci-Fi Flick to Rescue Americans from Tehran, which was published in Wired.

In 2007, the producers George Clooney, Grant Heslov and David Klawans set up a project based on the article. Affleck s participation was announced in February 2011. The following June, Alan Arkin was the first person cast in the film. After the rest of the roles were cast, filming began in Los Angeles in August 2011. Additional filming took place in McLean, Virginia; Washington, D.C.; and Istanbul. The scene in which Mendez drives up to and walks into the CIA headquarters lobby was filmed with permission at the CIA s original headquarters building in Virginia; all other scenes set at the CIA were filmed in the basement of the Los Angeles Times Building.

As a historical piece, the film made use of archival news footage from ABC, CBS and NBC; and included popular songs from the era, such as Little T&A by The Rolling Stones (an anachronism, as it was not released until the following year), Sultans of Swing by Dire Straits, Dance the Night Away by Van Halen and When the Levee Breaks by Led Zeppelin. For its part, Warner Bros. used its 1972–1984 production logo featuring the Big W logo designed by Saul Bass for Warner Communications to open the film and painted on its studio lot s famed water tower the logo of The Burbank Studios (the facility s name during the 1970s and 1980s when Warner shared it with Columbia Pictures).

The screenplay used by the CIA to create their cover story was an adaptation of Roger Zelazny s 1967 novel Lord of Light. Producer Barry Geller had spearheaded an earlier attempt to produce the film using the original title. After that production attempt failed, the screenplay was renamed Argo and used by the CIA.

According to Tony Mendez, Studio Six—the phony Hollywood production office he helped create at the core of the CIA plan—proved so convincing that even weeks after the rescue was complete and the office had folded, 26 scripts were delivered to its address, including one from Steven Spielberg.

In April 2016, research by VICE, based on documents received under the Freedom of Information Act, revealed that the CIA s public relations arm was involved in the production of the 2012 Argo, just as it provided information to a number of other American entertainment productions (such as the well-established case of the 2012 film Zero Dark Thirty).

Release and reception

Critical response

Argo was acclaimed by critics, praising Ben Affleck s direction, the cast (especially Arkin and Goodman), the script and the editing. Rotten Tomatoes gives the film an approval rating of 96%, based on 358 reviews, with an average rating of 8.40/10. The website s critical consensus reads, Tense, exciting and often darkly comic, Argo recreates a historical event with vivid attention to detail and finely wrought characters. On Metacritic, the film has a score of 86 out of 100, based on 45 reviews, indicating universal acclaim . CinemaScore reported that audiences gave the film a rare A+ grade.

Naming Argo one of the best 11 films of 2012, critic Stephen Holden of The New York Times wrote: Ben Affleck s seamless direction catapults him to the forefront of Hollywood filmmakers turning out thoughtful entertainment. The Washington Times said it felt like a movie from an earlier era — less frenetic, less showy, more focused on narrative than sensation, but that the script included too many characters that he doesn t quite develop.

Writing in the Chicago Sun-Times, Roger Ebert said,

The craft in this film is rare. It is so easy to manufacture a thriller from chases and gunfire, and so very hard to fine-tune it out of exquisite timing and a plot that s so clear to us we wonder why it isn t obvious to the Iranians. After all, who in their right mind would believe a space opera was being filmed in Iran during the hostage crisis?

Ebert gave the film 4/4 stars, calling it spellbinding and surprisingly funny, and chose it as the best film of the year, the last film he would choose for this honor before his death in 2013. He also correctly predicted that it would win the Academy Award for Best Picture, following its presentation at the Toronto International Film Festival.

Literary critic Stanley Fish says that the film is a standard caper film in which some improbable task has to be pulled off by a combination of ingenuity, training, deception and luck. He goes on to describe the film s structure: (1) the presentation of the scheme to reluctant and unimaginative superiors, (2) the transformation of a ragtag bunch of ne er-do-wells and wackos into a coherent, coordinated unit and (3) the carrying out of the task.

Although he thinks the film is good at building and sustaining suspense, he concludes,

This is one of those movies that depend on your not thinking much about it; for as soon as you reflect on what s happening rather than being swept up in the narrative flow, there doesn t seem much to it aside from the skill with which suspense is maintained despite the fact that you know in advance how it s going to turn out. … Once the deed is successfully done, there s really nothing much to say, and anything that is said seems contrived. That is the virtue of an entertainment like this; it doesn t linger in the memory and provoke afterthoughts.

Reaction by Iranians

Abolhassan Banisadr, foreign minister and then president during the incident, argued that the movie does not take into account the fact that most of the cabinet members advocated freeing all the American personnel quickly. Jian Ghomeshi, a Canadian writer and radio figure of Iranian descent, thought the film had a deeply troubling portrayal of the Iranian people. Ghomeshi asserted among all the rave reviews, virtually no one in the mainstream media has called out unbalanced depiction of an entire ethnic national group, and the broader implications of the portrait. He also suggested that the timing of the film was poor, as American and Iranian political relations were at a low point. University of Michigan history professor Juan Cole had a similar assessment, writing that the film s narrative fails to provide adequate historical context for the events it portrays, and such errors of omission lead all of the Iranian characters in the film to be depicted as ethnic stereotypes. A November 3, 2012 article in the Los Angeles Times claimed that the film had received very little attention in Tehran, though Masoumeh Ebtekar, who was the spokesperson of the students who took the hostages and called only Tehran Mary in the film s credits, said that the film did not show the real reasons behind the event. The film also ignores the importance of the date of the Embassy takeover. Mark Bowen, in his book on the subject, noted that November 4 was recognized as National Student s Day to acknowledge the student protesters killed by the Shah s police the year before. He also pointed out that this was the same date that the Ayatollah Khomeini was exiled 15 years before.

Bootleg DVDs have become popular and are estimated at several hundreds of thousands of copies. Interpretations of the film s popularity in Iran have varied, ranging from the fact that the movie portrays the excesses of the revolution and the hostage crisis, which had been long glorified in Iran, to Iranians viewing it as a reminder of what caused the poor relations with America and the ensuing cost to Iran, decades after the embassy takeover. The high DVD sales suggests a form of silent protest against the government s ongoing hostility to relations with America.

Top ten lists

Professional reviewers ranked the film with other releases for 2012, as follows:

Rank Reviewer Publication
1st Christy Lemire Associated Press
Joe Neumaier and Elizabeth Weitzman New York Daily News
Roger Ebert Chicago Sun-Times
2nd Lisa Kennedy Denver Post
Lou Lumenick New York Post
Richard Roeper Richardroeper.com
4th Betsy Sharkey Los Angeles Times
Kyle Smith New York Post
5th Lisa Schwarzbaum Entertainment Weekly
Peter Travers Rolling Stone
Stephen Holden The New York Times
6th Mary Pols Time
Mick LaSalle San Francisco Chronicle
7th Ann Hornaday The Washington Post
Anne Thompson Indiewire
Ty Burr The Boston Globe
8th Owen Gleiberman Entertainment Weekly
9th Peter Bradshaw The Guardian
Top 10
(ranked alphabetically)
Bob Mondello NPR
Calvin Wilson St. Louis Post-Dispatch
Claudia Puig USA Today
David Denby The New Yorker
Joe Morgenstern The Wall Street Journal
Joe Williams St. Louis Post-Dispatch
Kenneth Turan Los Angeles Times

Box office

Argo earned $136 million in the United States, and $96.3 million in other territories, for a worldwide total of $232.3 million.

The film debuted in second place with $19.5 million, then made $16.4 million in its sophomore weekend. In its third weekend the film made $12.1 million, finishing in first place.

Home media

The film was released in North America on February 19, 2013, on DVD and Blu-ray Disc.

Accolades

The film was nominated for seven Academy Awards and won three, for Best Picture, Best Adapted Screenplay and Best Film Editing. Affleck was not nominated for Best Director, and following the announcement of the nominations, Bradley Cooper, who was nominated for his leading performance in Silver Linings Playbook, declared: Ben Affleck got robbed. This opinion was shared by the ceremony s host Seth MacFarlane and Quentin Tarantino, whose film Django Unchained was nominated in several categories.

Entertainment Weekly wrote about this controversy:

Standing in the Golden Globe pressroom with his directing trophy, Affleck acknowledged that it was frustrating not to get an Oscar nod when many felt he deserved one. But he s keeping a sense of humor. I mean, I also didn t get the acting nomination, he pointed out. And no one s saying I got snubbed there!

Historical inaccuracies

Canadian versus CIA roles

After the film was previewed at the 2012 Toronto International Film Festival, many critics said that it unfairly glorified the CIA s role and minimized the Canadian government s role (particularly that of Ambassador Taylor) in the extraction operation. Maclean s asserted that the movie rewrites history at Canada s expense, making Hollywood and the CIA the saga s heroic saviours while Taylor is demoted to a kindly concierge. The postscript text said that the CIA let Taylor take the credit for political purposes, which some critics thought implied that he did not deserve the accolades he received. In response to this criticism, Affleck changed the postscript text to read: The involvement of the CIA complemented efforts of the Canadian embassy to free the six held in Tehran. To this day the story stands as an enduring model of international co-operation between governments. The Toronto Star wrote, Even that hardly does Canada justice.

In a CNN interview, former U.S. president Jimmy Carter addressed the controversy:

90% of the contributions to the ideas and the consummation of the plan was Canadian. And the movie gives almost full credit to the American CIA. And with that exception, the movie is very good. But Ben Affleck s character in the film was… only in Tehran a day and a half. And the main hero, in my opinion, was Ken Taylor, who was the Canadian ambassador who orchestrated the entire process.

Taylor noted, In reality, Canada was responsible for the six and the CIA was a junior partner. But I realize this is a movie and you have to keep the audience on the edge of their seats. In the film, Taylor is shown as having been ordered to close down the Canadian embassy. This did not happen, and the Canadians never considered abandoning the six Americans who had taken refuge under their protection.

Affleck asserted:

Because we say it s based on a true story, rather than this is a true story, we re allowed to take some dramatic license. There s a spirit of truth …. the kinds of things that are really important to be true are—for example, the relationship between the U.S. and Canada. The U.S. stood up collectively as a nation and said, We like you, we appreciate you, we respect you, and we re in your debt. … There were folks who didn t want to stick their necks out and the Canadians did. They said, We ll risk our diplomatic standing, our lives, by harbouring six Americans because it s the right thing to do. Because of that, their lives were saved.

After his death, The Washington Post described Taylor as the main hero of the Iran hostage escape, quoting former president Jimmy Carter in doing so. In 1981, Taylor was presented with the Congressional Gold Medal by President Ronald Reagan. Nonetheless, the significance of his role was downplayed in the film.

British and New Zealand roles

Upon its release in October 2012, the film was criticized for its suggestion that British and New Zealand embassies had turned away the American diplomats in Tehran. In fact both embassies, together with the Canadians, helped the Americans. The British had initially hosted the American diplomats; however, the location was deemed unsafe as the British embassy itself had been targeted and surrounded by mobs and all involved officials from the various nations believed the Canadian ambassador s residence to be a safer location. New Zealand diplomats organized a place for the diplomats to hide if they needed to change their location, and drove the Americans to the airport when they made their escape from Tehran. British diplomats also assisted other American hostages beyond the escaped group of six. Bob Anders, the U.S. consular agent played in the film by Tate Donovan, said, They put their lives on the line for us. We were all at risk. I hope no one in Britain will be offended by what s said in the film. The British were good to us and we re forever grateful.

Sir John Graham, the then-British ambassador to Iran, said,

My immediate reaction on hearing about this was one of outrage. I have since simmered down, but am still very distressed that the film-makers should have got it so wrong. My concern is that the inaccurate account should not enter the mythology of the events in Tehran in November 1979.

The then-British chargé d affaires in Tehran said that, had the Americans been discovered in the British embassy, I can assure you we d all have been for the high jump. Martin Williams, secretary to Sir John Graham in Iran at the time, was the one who found the Americans, after searching for them in his own British car (the only Austin Maxi in Iran) and first sheltered them in his own house.

Affleck is quoted as saying to The Sunday Telegraph: I struggled with this long and hard, because it casts Britain and New Zealand in a way that is not totally fair. But I was setting up a situation where you needed to get a sense that these six people had nowhere else to go. It does not mean to diminish anyone. On March 12, 2013, the New Zealand House of Representatives censured Affleck by unanimously agreeing to the following motion, initiated by New Zealand First leader Winston Peters:

… this House acknowledge with gratitude the efforts of former New Zealand diplomats Chris Beeby and Richard Sewell in assisting American hostages in Tehran during the hostage crisis in 1979, and express its regret that the director of the movie Argo saw fit to mislead the world about what actually happened during that crisis when, in reality, our courageous diplomats inspirational actions were of significant help to the American hostages and deserve the factual and historical record to be corrected.

Imminent danger to the group

In the film, the diplomats face suspicious glances from Iranians whenever they go out in public, and appear close to being caught at many steps along the way to their freedom. In reality, the diplomats never appeared to be in imminent danger. Taylor s wife bought three sets of plane tickets from three different airlines ahead of time, without any issues.

  • The film depicts a dramatic last-minute cancellation of the mission by the Carter administration and Mendez declaring he will proceed with the mission. Carter delayed authorization by only 30 minutes, and that was before Mendez had left Europe for Iran.
  • The film portrays a tense situation when the crew tries to board the plane, and their identities are nearly discovered. No such confrontation with security officials took place at the departure gate.
  • The film has a dramatic chase sequence as the plane takes off; this did not occur. As Mark Lijek described it, Fortunately for us, there were very few Revolutionary Guards in the area. It is why we turned up for a flight at 5.30 in the morning; even they weren t zealous enough to be there that early. The truth is the immigration officers barely looked at us and we were processed out in the regular way. We got on the flight to Zurich and then we were taken to the US ambassador s residence in Bern. It was that straightforward.

Other inaccuracies

The film contains other historical inaccuracies:

  • The screenplay does not include the six days Bob Anders, Mark and Cora Lijek and Joe and Kathy Stafford were on the run before taking refuge with the Canadians nor where Lee Schatz was until he joined the group at John and Zena Sheardown s home.
  • The screenplay has the escapees—Mark and Cora Lijek, Bob Anders, Lee Schatz, and Joe and Kathy Stafford—settling down to enforced cohabitation at the residence of the Canadian ambassador Ken Taylor. In reality, the group of five (Lee Schatz joined the Lijeks and Bob Anders about ten days later) was split between the Taylor house and the home of another Canadian official, John Sheardown and his wife Zena. It was in fact the friendship between Bob Anders and John Sheardown that led Bob to call John to seek sanctuary for the group when the haven with Thai cook Sam (Somchai) began to unravel. John s response to Bob was, Why didn t you call sooner?
  • It s not true we could never go outside. John Sheardown s house had an interior courtyard with a garden and we could walk there freely, Mark Lijek says.
  • Lester Siegel, played by Alan Arkin, is not a real person. His name and some contribution are based on Robert Sidell s while his personality is based on Jack Warner s.
  • In the depiction of a frantic effort by CIA headquarters, in Langley, to get President Jimmy Carter to re-authorize the mission so that previously purchased airline tickets would still be valid, a CIA officer is portrayed as getting the White House telephone operator to connect him to Chief of Staff Hamilton Jordan by impersonating a representative of the school attended by Jordan s children. In reality, Jordan was unmarried and had no children at the time.
  • The film depicts Mendez discovering the script with the title of Argo. In reality the script was titled Lord of Light, based on the book of the same name by Roger Zelazny. The CIA changed the title to Argo.
  • Comic book artist Jack Kirby did not do his storyboard work for the fabricated CIA film production. He created concept arts when there was an attempt to produce Lord of Light a few years before the Iranian hostage situation.
  • The Hollywood Sign is shown dilapidated as it had been in the 1970s. The sign had been repaired in 1978, two years before the events described in the film.
  • The Swissair flight that took Mendez and the hostage group out of Tehran is shown operated with a Boeing 747-300, a type which entered service in 1983, and is painted in a livery that Swissair introduced in 1980. In real life, the group departed Iran on a Swissair Douglas DC-8 named Aargau .

Casting controversy

Some Hispanics and film critics criticized the casting of Ben Affleck in the role of Mendez, who is of Mexican ancestry on his father s side. Mexican-American actor and director Edward James Olmos considered Affleck s casting as Mendez a mistake , and that the actor had no sense of the cultural dynamic of the character he was playing . Mendez said at the time that he was unconcerned about the casting, and noted that he did not identify as Hispanic.

Clea DuVall, who is not of Asian heritage, played Cora Lijek, who was of Japanese descent, which the site IndieWire called problematic .

Argo is a 2012 American historical drama thriller film directed, produced and led by Ben Affleck. The screenplay, written by Chris Terrio, was adapted from the 1999 book of the same name by the U.S. Central Intelligence Agency operative Tony Mendez, his memoir The Master of Disguise, and the Wired article by Joshuah Bearman, The Great Escape: How the CIA Used a Fake Sci-Fi Flick to Rescue Americans from Tehran . The film deals with the Canadian Caper , in which Mendez led the rescue of six U.S. diplomats from Tehran, Iran, under the guise of filming a science fiction film during the 1979–1981 Iran hostage crisis.

The film, which also has Bryan Cranston, Alan Arkin, and John Goodman in supporting roles, was released in the United States on October 12, 2012. It was produced by Grant Heslov, Affleck and George Clooney.

Argo was praised for the acting (particularly Arkin and Goodman s), Affleck s direction, Terrio s screenplay, the editing, and Desplat s score. Commentators and participants in the actual operation criticized failures in historical accuracy. The film received seven nominations at the 85th Academy Awards and won three, for Best Picture, Best Adapted Screenplay, and Best Film Editing.

The film also earned five Golden Globe Award nominations: it won Best Motion Picture – Drama and Best Director, and Alan Arkin was nominated for Best Supporting Actor – Motion Picture. It won Outstanding Performance by a Cast in a Motion Picture at the 19th Screen Actors Guild Awards, and Arkin was nominated for Outstanding Performance by a Male Actor in a Supporting Role. It also won Best Film, Best Editing and Best Director at the 66th British Academy Film Awards, Los Angeles Film Critics Association Awards for Best Screenplay, and 37th Hochi Film Award for Best International Picture.

Plot

On November 4, 1979, Iranian Islamists storm the United States embassy in Tehran in retaliation for President Jimmy Carter giving the Shah asylum in the U.S. during the Iranian Revolution, for cancer treatment. Sixty-six of the embassy staff are taken as hostages, but six avoid capture and are sheltered in the home of Canadian ambassador Ken Taylor.

With the escapees situation kept secret, the U.S. State Department begins to explore options for exfiltrating them from Iran. Tony Mendez, a U.S. Central Intelligence Agency exfiltration specialist, is brought in for a consultation. He criticizes the proposals but is at a loss when asked for an alternative. While on the phone with his son, he is inspired by watching Battle for the Planet of the Apes and begins plans for creating a cover story for the escapees: that they are Canadian filmmakers who are in Iran scouting exotic locations for a science-fiction film.

Mendez contacts John Chambers, a Hollywood make-up artist who had previously worked for the CIA. Chambers puts Mendez in touch with film producer Lester Siegel. Together, they set up a phony film production company, publicize their plans, and successfully establish the pretense of developing Argo, a science fantasy adventure in the style of Star Wars, to lend the cover story credibility. Meanwhile, the escapees grow restless. The revolutionaries reassemble embassy photographs shredded before the takeover and realize that some personnel are unaccounted for.

Posing as a producer for Argo, Mendez enters Iran under the alias Kevin Harkins and meets with the six escapees. He provides them with Canadian passports and fake identities. Although afraid to trust Mendez s scheme, they reluctantly go along, knowing that he is risking his own life too. A scouting visit to the bazaar to maintain their cover story takes a bad turn when they are harassed by a hostile shopkeeper, but their Iranian culture contact hustles them away from the hostile crowd.

Mendez is told the operation has been cancelled in favor of planned military rescue of the hostages. He pushes ahead anyway, forcing his boss Jack O Donnell to hastily re-obtain authorization for the mission and rebook their cancelled tickets on a Swissair flight. Tensions rise at the airport, where the escapees new ticket reservations are confirmed only at the last minute, and the head guard s call to the fake production company in Hollywood is answered only at the last second. The escapees board the plane and at about the same time, the airport authorities are alerted to the ruse. They try to stop them but the plane is able to take off.

To protect the hostages remaining in Tehran from retaliation, all U.S. involvement in the rescue is suppressed, and full credit is given to the Canadian government and its ambassador (who shuts down the embassy and leaves Iran with his wife as the operation is underway). The ambassador s Iranian housekeeper, who had known about the Americans and lied to the revolutionaries to protect them, escapes to Iraq. Mendez is awarded the Intelligence Star, but due to the mission s classified nature, he receives the medal in secret and has to return it afterward. The award is restored to him in 1997, after the Canadian Caper is declassified.

As the credits roll, President Jimmy Carter is heard commenting on the operation.

Cast

  • Ben Affleck as Tony Mendez
  • Bryan Cranston as Jack O Donnell
  • Alan Arkin as Lester Siegel
  • John Goodman as John Chambers
  • Victor Garber as Ken Taylor
  • Tate Donovan as Rob Anders
  • Clea DuVall as Cora Lijek
  • Scoot McNairy as Joe Stafford
  • Rory Cochrane as Lee Schatz
  • Christopher Denham as Mark Lijek
  • Kerry Bishé as Kathy Stafford
  • Kyle Chandler as Hamilton Jordan
  • Chris Messina as Malinov
  • Željko Ivanek as Robert Pender
  • Titus Welliver as Bates
  • Keith Szarabajka as Adam Engell
  • Bob Gunton as Cyrus Vance
  • Richard Kind as Max Klein
  • Richard Dillane as OSS Officer Nicholls
  • Omid Abtahi as Reza Borhani
  • Page Leong as Pat Taylor
  • Farshad Farahat as Azizi checkpoint #3
  • Sheila Vand as Sahar

Production

Argo is based on the Canadian Caper that took place during the Iran hostage crisis in 1979 and 1980. Chris Terrio wrote the screenplay based on Joshuah Bearman s 2007 article How the CIA Used a Fake Sci-Fi Flick to Rescue Americans from Tehran, which was published in Wired.

In 2007, the producers George Clooney, Grant Heslov and David Klawans set up a project based on the article. Affleck s participation was announced in February 2011. The following June, Alan Arkin was the first person cast in the film. After the rest of the roles were cast, filming began in Los Angeles in August 2011. Additional filming took place in McLean, Virginia; Washington, D.C.; and Istanbul. The scene in which Mendez drives up to and walks into the CIA headquarters lobby was filmed with permission at the CIA s original headquarters building in Virginia; all other scenes set at the CIA were filmed in the basement of the Los Angeles Times Building.

As a historical piece, the film made use of archival news footage from ABC, CBS and NBC; and included popular songs from the era, such as Little T&A by The Rolling Stones (an anachronism, as it was not released until the following year), Sultans of Swing by Dire Straits, Dance the Night Away by Van Halen and When the Levee Breaks by Led Zeppelin. For its part, Warner Bros. used its 1972–1984 production logo featuring the Big W logo designed by Saul Bass for Warner Communications to open the film and painted on its studio lot s famed water tower the logo of The Burbank Studios (the facility s name during the 1970s and 1980s when Warner shared it with Columbia Pictures).

The screenplay used by the CIA to create their cover story was an adaptation of Roger Zelazny s 1967 novel Lord of Light. Producer Barry Geller had spearheaded an earlier attempt to produce the film using the original title. After that production attempt failed, the screenplay was renamed Argo and used by the CIA.

According to Tony Mendez, Studio Six—the phony Hollywood production office he helped create at the core of the CIA plan—proved so convincing that even weeks after the rescue was complete and the office had folded, 26 scripts were delivered to its address, including one from Steven Spielberg.

In April 2016, research by VICE, based on documents received under the Freedom of Information Act, revealed that the CIA s public relations arm was involved in the production of the 2012 Argo, just as it provided information to a number of other American entertainment productions (such as the well-established case of the 2012 film Zero Dark Thirty).

Release and reception

Critical response

Argo was acclaimed by critics, praising Ben Affleck s direction, the cast (especially Arkin and Goodman), the script and the editing. Rotten Tomatoes gives the film an approval rating of 96%, based on 358 reviews, with an average rating of 8.40/10. The website s critical consensus reads, Tense, exciting and often darkly comic, Argo recreates a historical event with vivid attention to detail and finely wrought characters. On Metacritic, the film has a score of 86 out of 100, based on 45 reviews, indicating universal acclaim . CinemaScore reported that audiences gave the film a rare A+ grade.

Naming Argo one of the best 11 films of 2012, critic Stephen Holden of The New York Times wrote: Ben Affleck s seamless direction catapults him to the forefront of Hollywood filmmakers turning out thoughtful entertainment. The Washington Times said it felt like a movie from an earlier era — less frenetic, less showy, more focused on narrative than sensation, but that the script included too many characters that he doesn t quite develop.

Writing in the Chicago Sun-Times, Roger Ebert said,

The craft in this film is rare. It is so easy to manufacture a thriller from chases and gunfire, and so very hard to fine-tune it out of exquisite timing and a plot that s so clear to us we wonder why it isn t obvious to the Iranians. After all, who in their right mind would believe a space opera was being filmed in Iran during the hostage crisis?

Ebert gave the film 4/4 stars, calling it spellbinding and surprisingly funny, and chose it as the best film of the year, the last film he would choose for this honor before his death in 2013. He also correctly predicted that it would win the Academy Award for Best Picture, following its presentation at the Toronto International Film Festival.

Literary critic Stanley Fish says that the film is a standard caper film in which some improbable task has to be pulled off by a combination of ingenuity, training, deception and luck. He goes on to describe the film s structure: (1) the presentation of the scheme to reluctant and unimaginative superiors, (2) the transformation of a ragtag bunch of ne er-do-wells and wackos into a coherent, coordinated unit and (3) the carrying out of the task.

Although he thinks the film is good at building and sustaining suspense, he concludes,

This is one of those movies that depend on your not thinking much about it; for as soon as you reflect on what s happening rather than being swept up in the narrative flow, there doesn t seem much to it aside from the skill with which suspense is maintained despite the fact that you know in advance how it s going to turn out. … Once the deed is successfully done, there s really nothing much to say, and anything that is said seems contrived. That is the virtue of an entertainment like this; it doesn t linger in the memory and provoke afterthoughts.

Reaction by Iranians

Abolhassan Banisadr, foreign minister and then president during the incident, argued that the movie does not take into account the fact that most of the cabinet members advocated freeing all the American personnel quickly. Jian Ghomeshi, a Canadian writer and radio figure of Iranian descent, thought the film had a deeply troubling portrayal of the Iranian people. Ghomeshi asserted among all the rave reviews, virtually no one in the mainstream media has called out unbalanced depiction of an entire ethnic national group, and the broader implications of the portrait. He also suggested that the timing of the film was poor, as American and Iranian political relations were at a low point. University of Michigan history professor Juan Cole had a similar assessment, writing that the film s narrative fails to provide adequate historical context for the events it portrays, and such errors of omission lead all of the Iranian characters in the film to be depicted as ethnic stereotypes. A November 3, 2012 article in the Los Angeles Times claimed that the film had received very little attention in Tehran, though Masoumeh Ebtekar, who was the spokesperson of the students who took the hostages and called only Tehran Mary in the film s credits, said that the film did not show the real reasons behind the event. The film also ignores the importance of the date of the Embassy takeover. Mark Bowen, in his book on the subject, noted that November 4 was recognized as National Student s Day to acknowledge the student protesters killed by the Shah s police the year before. He also pointed out that this was the same date that the Ayatollah Khomeini was exiled 15 years before.

Bootleg DVDs have become popular and are estimated at several hundreds of thousands of copies. Interpretations of the film s popularity in Iran have varied, ranging from the fact that the movie portrays the excesses of the revolution and the hostage crisis, which had been long glorified in Iran, to Iranians viewing it as a reminder of what caused the poor relations with America and the ensuing cost to Iran, decades after the embassy takeover. The high DVD sales suggests a form of silent protest against the government s ongoing hostility to relations with America.

Top ten lists

Professional reviewers ranked the film with other releases for 2012, as follows:

Rank Reviewer Publication
1st Christy Lemire Associated Press
Joe Neumaier and Elizabeth Weitzman New York Daily News
Roger Ebert Chicago Sun-Times
2nd Lisa Kennedy Denver Post
Lou Lumenick New York Post
Richard Roeper Richardroeper.com
4th Betsy Sharkey Los Angeles Times
Kyle Smith New York Post
5th Lisa Schwarzbaum Entertainment Weekly
Peter Travers Rolling Stone
Stephen Holden The New York Times
6th Mary Pols Time
Mick LaSalle San Francisco Chronicle
7th Ann Hornaday The Washington Post
Anne Thompson Indiewire
Ty Burr The Boston Globe
8th Owen Gleiberman Entertainment Weekly
9th Peter Bradshaw The Guardian
Top 10
(ranked alphabetically)
Bob Mondello NPR
Calvin Wilson St. Louis Post-Dispatch
Claudia Puig USA Today
David Denby The New Yorker
Joe Morgenstern The Wall Street Journal
Joe Williams St. Louis Post-Dispatch
Kenneth Turan Los Angeles Times

Box office

Argo earned $136 million in the United States, and $96.3 million in other territories, for a worldwide total of $232.3 million.

The film debuted in second place with $19.5 million, then made $16.4 million in its sophomore weekend. In its third weekend the film made $12.1 million, finishing in first place.

Home media

The film was released in North America on February 19, 2013, on DVD and Blu-ray Disc.

Accolades

The film was nominated for seven Academy Awards and won three, for Best Picture, Best Adapted Screenplay and Best Film Editing. Affleck was not nominated for Best Director, and following the announcement of the nominations, Bradley Cooper, who was nominated for his leading performance in Silver Linings Playbook, declared: Ben Affleck got robbed. This opinion was shared by the ceremony s host Seth MacFarlane and Quentin Tarantino, whose film Django Unchained was nominated in several categories.

Entertainment Weekly wrote about this controversy:

Standing in the Golden Globe pressroom with his directing trophy, Affleck acknowledged that it was frustrating not to get an Oscar nod when many felt he deserved one. But he s keeping a sense of humor. I mean, I also didn t get the acting nomination, he pointed out. And no one s saying I got snubbed there!

Historical inaccuracies

Canadian versus CIA roles

After the film was previewed at the 2012 Toronto International Film Festival, many critics said that it unfairly glorified the CIA s role and minimized the Canadian government s role (particularly that of Ambassador Taylor) in the extraction operation. Maclean s asserted that the movie rewrites history at Canada s expense, making Hollywood and the CIA the saga s heroic saviours while Taylor is demoted to a kindly concierge. The postscript text said that the CIA let Taylor take the credit for political purposes, which some critics thought implied that he did not deserve the accolades he received. In response to this criticism, Affleck changed the postscript text to read: The involvement of the CIA complemented efforts of the Canadian embassy to free the six held in Tehran. To this day the story stands as an enduring model of international co-operation between governments. The Toronto Star wrote, Even that hardly does Canada justice.

In a CNN interview, former U.S. president Jimmy Carter addressed the controversy:

90% of the contributions to the ideas and the consummation of the plan was Canadian. And the movie gives almost full credit to the American CIA. And with that exception, the movie is very good. But Ben Affleck s character in the film was… only in Tehran a day and a half. And the main hero, in my opinion, was Ken Taylor, who was the Canadian ambassador who orchestrated the entire process.

Taylor noted, In reality, Canada was responsible for the six and the CIA was a junior partner. But I realize this is a movie and you have to keep the audience on the edge of their seats. In the film, Taylor is shown as having been ordered to close down the Canadian embassy. This did not happen, and the Canadians never considered abandoning the six Americans who had taken refuge under their protection.

Affleck asserted:

Because we say it s based on a true story, rather than this is a true story, we re allowed to take some dramatic license. There s a spirit of truth …. the kinds of things that are really important to be true are—for example, the relationship between the U.S. and Canada. The U.S. stood up collectively as a nation and said, We like you, we appreciate you, we respect you, and we re in your debt. … There were folks who didn t want to stick their necks out and the Canadians did. They said, We ll risk our diplomatic standing, our lives, by harbouring six Americans because it s the right thing to do. Because of that, their lives were saved.

After his death, The Washington Post described Taylor as the main hero of the Iran hostage escape, quoting former president Jimmy Carter in doing so. In 1981, Taylor was presented with the Congressional Gold Medal by President Ronald Reagan. Nonetheless, the significance of his role was downplayed in the film.

British and New Zealand roles

Upon its release in October 2012, the film was criticized for its suggestion that British and New Zealand embassies had turned away the American diplomats in Tehran. In fact both embassies, together with the Canadians, helped the Americans. The British had initially hosted the American diplomats; however, the location was deemed unsafe as the British embassy itself had been targeted and surrounded by mobs and all involved officials from the various nations believed the Canadian ambassador s residence to be a safer location. New Zealand diplomats organized a place for the diplomats to hide if they needed to change their location, and drove the Americans to the airport when they made their escape from Tehran. British diplomats also assisted other American hostages beyond the escaped group of six. Bob Anders, the U.S. consular agent played in the film by Tate Donovan, said, They put their lives on the line for us. We were all at risk. I hope no one in Britain will be offended by what s said in the film. The British were good to us and we re forever grateful.

Sir John Graham, the then-British ambassador to Iran, said,

My immediate reaction on hearing about this was one of outrage. I have since simmered down, but am still very distressed that the film-makers should have got it so wrong. My concern is that the inaccurate account should not enter the mythology of the events in Tehran in November 1979.

The then-British chargé d affaires in Tehran said that, had the Americans been discovered in the British embassy, I can assure you we d all have been for the high jump. Martin Williams, secretary to Sir John Graham in Iran at the time, was the one who found the Americans, after searching for them in his own British car (the only Austin Maxi in Iran) and first sheltered them in his own house.

Affleck is quoted as saying to The Sunday Telegraph: I struggled with this long and hard, because it casts Britain and New Zealand in a way that is not totally fair. But I was setting up a situation where you needed to get a sense that these six people had nowhere else to go. It does not mean to diminish anyone. On March 12, 2013, the New Zealand House of Representatives censured Affleck by unanimously agreeing to the following motion, initiated by New Zealand First leader Winston Peters:

… this House acknowledge with gratitude the efforts of former New Zealand diplomats Chris Beeby and Richard Sewell in assisting American hostages in Tehran during the hostage crisis in 1979, and express its regret that the director of the movie Argo saw fit to mislead the world about what actually happened during that crisis when, in reality, our courageous diplomats inspirational actions were of significant help to the American hostages and deserve the factual and historical record to be corrected.

Imminent danger to the group

In the film, the diplomats face suspicious glances from Iranians whenever they go out in public, and appear close to being caught at many steps along the way to their freedom. In reality, the diplomats never appeared to be in imminent danger. Taylor s wife bought three sets of plane tickets from three different airlines ahead of time, without any issues.

  • The film depicts a dramatic last-minute cancellation of the mission by the Carter administration and Mendez declaring he will proceed with the mission. Carter delayed authorization by only 30 minutes, and that was before Mendez had left Europe for Iran.
  • The film portrays a tense situation when the crew tries to board the plane, and their identities are nearly discovered. No such confrontation with security officials took place at the departure gate.
  • The film has a dramatic chase sequence as the plane takes off; this did not occur. As Mark Lijek described it, Fortunately for us, there were very few Revolutionary Guards in the area. It is why we turned up for a flight at 5.30 in the morning; even they weren t zealous enough to be there that early. The truth is the immigration officers barely looked at us and we were processed out in the regular way. We got on the flight to Zurich and then we were taken to the US ambassador s residence in Bern. It was that straightforward.

Other inaccuracies

The film contains other historical inaccuracies:

  • The screenplay does not include the six days Bob Anders, Mark and Cora Lijek and Joe and Kathy Stafford were on the run before taking refuge with the Canadians nor where Lee Schatz was until he joined the group at John and Zena Sheardown s home.
  • The screenplay has the escapees—Mark and Cora Lijek, Bob Anders, Lee Schatz, and Joe and Kathy Stafford—settling down to enforced cohabitation at the residence of the Canadian ambassador Ken Taylor. In reality, the group of five (Lee Schatz joined the Lijeks and Bob Anders about ten days later) was split between the Taylor house and the home of another Canadian official, John Sheardown and his wife Zena. It was in fact the friendship between Bob Anders and John Sheardown that led Bob to call John to seek sanctuary for the group when the haven with Thai cook Sam (Somchai) began to unravel. John s response to Bob was, Why didn t you call sooner?
  • It s not true we could never go outside. John Sheardown s house had an interior courtyard with a garden and we could walk there freely, Mark Lijek says.
  • Lester Siegel, played by Alan Arkin, is not a real person. His name and some contribution are based on Robert Sidell s while his personality is based on Jack Warner s.
  • In the depiction of a frantic effort by CIA headquarters, in Langley, to get President Jimmy Carter to re-authorize the mission so that previously purchased airline tickets would still be valid, a CIA officer is portrayed as getting the White House telephone operator to connect him to Chief of Staff Hamilton Jordan by impersonating a representative of the school attended by Jordan s children. In reality, Jordan was unmarried and had no children at the time.
  • The film depicts Mendez discovering the script with the title of Argo. In reality the script was titled Lord of Light, based on the book of the same name by Roger Zelazny. The CIA changed the title to Argo.
  • Comic book artist Jack Kirby did not do his storyboard work for the fabricated CIA film production. He created concept arts when there was an attempt to produce Lord of Light a few years before the Iranian hostage situation.
  • The Hollywood Sign is shown dilapidated as it had been in the 1970s. The sign had been repaired in 1978, two years before the events described in the film.
  • The Swissair flight that took Mendez and the hostage group out of Tehran is shown operated with a Boeing 747-300, a type which entered service in 1983, and is painted in a livery that Swissair introduced in 1980. In real life, the group departed Iran on a Swissair Douglas DC-8 named Aargau .

Casting controversy

Some Hispanics and film critics criticized the casting of Ben Affleck in the role of Mendez, who is of Mexican ancestry on his father s side. Mexican-American actor and director Edward James Olmos considered Affleck s casting as Mendez a mistake , and that the actor had no sense of the cultural dynamic of the character he was playing . Mendez said at the time that he was unconcerned about the casting, and noted that he did not identify as Hispanic.

Clea DuVall, who is not of Asian heritage, played Cora Lijek, who was of Japanese descent, which the site IndieWire called problematic .

Year 2012
ReleaseDate 2012-10-12
RuntimeMins 120
RuntimeStr 2h
Plot Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Awards Won 3 Oscars, 94 wins & 156 nominations total
Directors Ben Affleck
Writers Chris Terrio, Tony Mendez, Joshuah Bearman
Stars Ben Affleck, Bryan Cranston, John Goodman
Produced by Ben Affleck,Chris Brigham,Chay Carter,George Clooney,Tim Headington,Amy Herman,Grant Heslov,Graham King,David Klawans,Alex Sutherland,Nina Wolarsky
Music by Alexandre Desplat
Cinematography by Rodrigo Prieto
Film Editing by William Goldenberg
Casting By Lora Kennedy
Production Design by Sharon Seymour
Art Direction by Peter Borck
Set Decoration by Jan Pascale,Ken Chocolate
Costume Design by Jacqueline West
Makeup Department Trish Almeida,Barbara Augustus,Kate Biscoe,Laurel Kelly,Jamie Kelman,Ebru Kiziltan,John Maldonado,Cathrine A. Marcotte,Kelvin R. Trahan,Gigi Williams,Donna J. Anderson,Aurora Bergere,George Black,Belinda Bryant,Rhonda Ann Burns,Kimberly Carlson,Amanda Carroll,Erdinc Celik,John Damiani,Ilknur Elbek,Carol S. Federman,Sahin Gul,Cynthia Hernandez,Joe Matke,Cheryl Ann Nick,Rhonda O Neal,Deborah Rutherford,Don Rutherford,Judy Staats,Robert Wilson
Production Management Tina Anderson,Sean Garrett Fogel,Amy Herman,Zeynep Santiroglu,Kelley Smith-Wait,Katherine Tibbetts,Louis J. Anderson
Second Unit Director or Assistant Director Dennis Burrell,Ian Calip,Clark Credle,Alfonso Gomez-Rejon,Gavin Kleintop,Saeed Nasiri,Alison C. Rosa,Sunday Stevens,Mark Trapenberg,Belkis Turan,David Webb,Sinan Cevik,Stephanie Tull Coscina,Fatih Hilmi Haciosmanoglu,Ezgi Kerman,Lance W. Lanfear,Saeed Nasiri,Kaan Ozcan,Aysecan Ozturan,Sedat Turkantoz,Andrew Ward
Art Department Tim Ackers,Alejandro Aguilar,Nicole Balzarini,Heidi Baumgarten,John Bratton,Alan Burg,Wayne Coe,David Craig,Max Daly,Louise Del Araujo,Tunc Erguden,Chris Fix,Connie Gackenbach,Neil Gahm,Bryan Gettman,Deborah Harman,Nelson Hawthorne,Alex Hillkurtz,Guy Hoffner,Daniel R. Jennings,Guliz Kaymaksüt,Terry Kempf,Deniz Göktürk Kobanbay,Richard Lepore,Anthony Liberatore,David B. Long,Mike Maher,Sophia Male,Michael V. Maurice,Bryan McBrien,Brett McKenzie,Jeffrey McMahon,Gordon McVay,Barbara Mesney,Michael Mikita Jr.,Len Morganti,Ken Murphy,Cynthia C. Rebman,Andrea Rennard,John H. Samson,Dicle Sarman,Michael Sexton,Kevin Shaw,David Smith,R. Lucas Stewart,David Sues,Esen Tan,Gary Warshaw,Michael Keith Aleshire-Rezendez,Richard Alonso,Aykut Ayaztuna,Adem Aydin,Dilek Aydin,Nail Aydin,Bryan Badman,Murat Bas,Serdar Bayrak,Orkun Bektas,Daniel W. Blaha,Andrew Campbell,Nazli Celebi,Tevfik Celebi,Eunha Choi,Doug Crawford,Andres Cubillan,Kelly Deco,Benji Dell,Omer Demir,Murat Demirtas,Doug Devine,Bahadir Elverdi,Ayberk Dorukhan Erdogdu,Francesco franco Ferrara,Giovanni Ferrara,Chela Fiorini,Eva Firshein,Justin Freibrun,Erim Gayretli,Allison Gross,Enver Gumus,Selin Güngör,Ugur Hacan,Eric Hunsaker,Ayse Ilkorur,Ashlie Jump,Erkan Karahan,Taner Karakulak,Mehmet Kehri,Emre Kilicoglu,Ali Kursun,Melike Kurt,Mark Kwiatkowski,Thierry Labbe,Rick Newsome,Harun Odabas,Sezgin Oltulu,Celal Parlak,Mehdi Sabouni,Gulriz Sansoy,Emre Selcik,Tommy Tomlinson,Tina Tottis,Michael Vines,Michael A. Watt,Tamer Yigit
Sound Department Erik Aadahl,James Ashwill,Douglas Axtell,David Bach,Eric Bautista,Jason Brooks,David V. Butler,Greg Cosh,John T. Cucci,Richard Duarte,Joel Erickson,Jonathan Fuh,José Antonio García,John Guentner,P.K. Hooker,Jonathan Klein,Michael Miller,Thomas J. O Connell,John T. Reitz,Gregg Rudloff,Unsun Song,Greg Steele,Greg ten Bosch,Ethan Van der Ryn,Greg Zimmerman,David Alvarez,Michael Brigman,Blake Collins,Dan O Connell,Jordan O Neill,Rick Santizo,Edward Tise,Onur Yavuz,Ryan Young
Special Effects by Barry McQueary,Garth Steinheimer,R. Bruce Steinheimer,Ridvan Aksu,Roland Blancaflor,Yonatan Epstein,James Fredburg,Richard Stutsman
Visual Effects by Sandro Blattner,Jeremy Burns,Bernard O. Ceguerra,Jon Chesson,Craig Crawford,Brian Delmonico,Alexander Dervin,Matt Dessero,Michael Sean Foley,Alex Gitler,Geoffrey Hancock,Michael S. Harbour,Vijay Kadapatti,Raechel Kasprzak,Anne Putnam Kolbe,Jeremy Lei,Justin Lloyd,Gregory L. McMurry,Rachel McPherson,Kama Moiha,David Orman,Eric Pender,Chris Perkowitz,Alfredo Ramirez,James Rogers,Rasha Shalaby,Thomas J. Smith,Michele C. Vallillo,Aaron Vest,Jason Wardle,Wei Zheng,Erika Abrams,Ryan Andersen,Brett Angelillis,Erubeth Avila,Ethan Ayer,Charles Baden,Krista Benson,Jason Bond,Jamie Bowers,Peter Bowmar,Eric Bruneau,Korey J. Cauchon,Arrev Chantikian,Patrick Clancey,Chad E. Collier,Janice Barlow Collier,Dustin Colson,Michelle Cornwall,Erin M. Cullen,Alejandro De La Garza,Ivy Depies,Ian Dodman,Daniel Erickson,Lauren Gauthier,P. Whitney Gearin,Bill Gilman,Bryan Godwin,Derik Gokstorp,Pam Gonzales,Victoria Grey,Sara Hansen,Rachel Faith Hanson,Ian Holland,Lubo Hristov,Neviana Hristov,Travis Wade Ivy,Mike James,Jeff A. Johnson,Adam S. Jones,Harimander Singh Khalsa,James Kirk,Goran Kocov,Nha Hoan Le,Alexander Lee,Cory Lee,Don Lee,Kim Lee,Jack Lilburn,David Lingenfelser,Philippe Majdalani,Thomas Mathai,Shawn Monaghan,Andy Mower,Blake Muir,Ross Newton,Leon Nowlin,Brian Nugent,Adam Wong Perez,Chi Pham,Brett Reyenger,John Riddle,Renato M. Ruiz,Diganta Saha,Frida Sahono,Marc-Andre Samson,Nabil Schiantarelli,Den Serras,Jay Shindell,Simon J.H. Smith,Doug Spilatro,John Stewart,Shane Strickman,Donald Strubler Jr.,Jonathan Taranto,Ryan Urban,Henry van der Beek,David Van Dyke,Mark Van Ee,Rakitha Vithanage,Alex Whang,Matthew T. Wilson,David B. Wolgemuth II,Mike Woodhead,Jose Yapor,Chris Young
Stunts Awat A. Ahmed,Daniel Arrias,Zafer Aydin,Ergun Ayer,Koby Azarly,Ahmet Ali Basoglu,Chino Binamo,Refik Buldu,Anis Cheurfa,Max Daniels,Eyad Elbitar,Eddie J. Fernandez,Serkan Gunçikis,Thayr Harris,Mark Henson,Ben Hernandez Bray,Michael Hilow,Turgay Ince,Abraham Justice,Engin Karabacak,Henry Kingi Jr.,Matt McColm,Roman Mitichyan,Norman Mora,Panuvat Anthony Nanakornpanom,Marque Ohmes,J.J. Perry,Freddie Poole,Crystal Santos,Sener Sirbudak,Mehmet Tatar,Ayhan Tongadur,Sedat Toprak,Mehmet Turan,Hamdi Yolcu,Omid Zader,Rocky Abou-Sakher,Zoli Dora,Steve Hassenpflug,Gary Hymes,David Dustin Kenyon,Lauren Mary Kim,Chris Object,Allan Padelford,Yusuf Piskin,Jason Rodriguez,Shaheen Shokoofandeh,Josh Tessier,Bobby Zegar
Camera and Electrical Department Darrick Akey,Colin Anderson,Tuncay Burhan Arslan,Russell Ayer,Justin Babin,Mike Barnett,Craig Bauer,Robby Baumgartner,Keith Bernstein,Berto,Richard Boyle,Darwin Montana Browne,David J. Butkovich,Patrick Capone,Jeff Cole,Charles Crivier,Steven Cueva,James Spud Danicic,Anthony Desanto,Joseph Dianda,Matt Floyd,Claire Folger,Olivier Fortin,Josh Friz,Tom Gilmour,Tony Graham,Carl Hamilton,Orlando Hernandez,Steve Irwin,Simon Jayes,Dora Krolikowska,Brian T. Leach,Chris Leidholdt,Sam Liotta,Bobby Mancuso,Marc Marino,Peter Marsden,Dave Mikutsky,Matthew Thomas Moles,Luis Moreno,Nino Neuboeck,David Noble,David B. Nowell,Mike Panczenko Jr.,Lionel Pedro,Rafi Pitts,Bradford Ralston,Leigh Rathner,Bradley Richard,Jose Santiago,Michael J. Schwartz,Patrick Sheetz,Shan Siddiqi,Charles Simons,Alex Sinclair,Wes Sullivan,Andrew Sych,Olly Tellett,Scott Tinsley,Yagiz Tulloch,Diana Ulzheimer,Zoran Veselic,Bob Waybright,Chloe Weaver,Randy Woodside,Mike Yoder,Jozo Zovko,Gonzalo Amat,Burhan Arslan,Adem Ayas,Murat Ayyildiz,Ulgen Baglar,Mustafa Bayraktar,Mehmet Munir Bildik,Alejandro J. Castillo,Arda Celikel,Dale Cole,Christopher Crivier,Ali Kaptan Demirci,Durmus Demirezen,Umut Ekinci,James R. Ellis,Chris Ferro,Ersin Gok,Volkan Gokcek,John Grillo,Erdogan Gundogdu,Mehmet Ali Habip,Arif Kanber,Jason Kilgore,Zelfi Elcin Kirca Gokce,Seda Kisacik,Huseyin Koc,Steve Koster,Huseyin Kubad,Jonathan Leary,David Leite,Tom Lembcke,Andy Leo,Ken Longballa,Greg Lopez,James A. Lundin,Damon Marcellino,Aaron Marquette,Chuck May,Jim McComas,Kenneth Morton,Ahmet Murat,Erkan Murat,Shawn A. Mutchler,Megan Ogilvie,Hasan Ormanlar,Kemal Ozturk,Domenic Pacino,Mehmet Parlak,Richard Rasmussen,James A. Ray,Tony Rivetti,Kayhan Sen,Michael Tolochko,Feramuz Tuna,Mehmet Tuna,Hamit Uzun,Dustin VonLossberg,Michael Woodside,Murat Yesil,Serkan Yilmaz
Animation Department Gary Mau
Casting Department Safak Binay,Arlene Kiyabu,Morgue N. Marcus,Pamela Pearl,Hamzah Saman,Georgia Simon,Sara Akhteh,Elaine Alcala,Sande Alessi,Kristan Berona,Christian Cage,Carlyn Davis,Suzanne Kang,Jacque Lawson,Michael James Lazar,Dominic Passine,Mike Passine,Kait Pickering,Dayna Price,Hamzah Saman,Eric Shackelford,Guy Yosub
Costume and Wardrobe Department Ekin Akçay,Jeeda Barford,Melissa Binder,Alison Gail Bixby,Maria Bradley,Ceren Eken,Naomi Gathmann,Sean Haley,J.R. Hawbaker,Monica Haynes,Brad Holtzman,Nadide Kutlu,Tom Macdonald,Selin Togay Milovanoviç,Hilal Sezer,Sanford Slepak,Ann L. Thomas,Pamela Wise,Ezgi Acar,Kim Chewning,Marcy Craig,Pinar Daglayan,Deb Dalton,Safa Demirkan,Katie Howard,Ezgi Inal,Sezin Kolcu,Juan Lopez,Scott Maple,Fran Murphy,Nail Pehlivan,Tayfun Sahin,Beril Sinan,Selin Sozen,Keith M. Wegner,Christi Work,Gilbert Zamorano
Editorial Department George Chavez,Ben Estrada,Joe Galdo,Maria Paula Galdo,Parker Laramie,Yvan Lucas,Devon Miller,Loan Phan,Brett M. Reed,Tom Reiser,David Thomas,Cherri Arpino,Roland Eisinger,Moe Friday,Bruce Goodman,Afnahn Khan,JoAnne Ji Kim,Brent Koetter,Ken Lebre,Christopher McDonald,Daniel McGilvray,Joel McWilliams,Anthony Motta,Luis Silva,Nathaniel Lee Voelker,Tim Weyers
Location Management Chris Baugh,Michael Betz,Cem Chaban,Justin Duncan,Justin Harrold,Hugo Moreno,Ryan Neary,Peggy Pridemore,Saygin Saral,Michael Soleau,Joe Achard,Gregory H. Alpert,Lori A. Balton,Jessica Baroody,Ryan Celli,Ken Espinosa,Jeanie Farnam,Lisa Fozzati,Nicholas Glekas,Christian Glymph,Halil Gulduren,Ibrahim Gulduren,Hakan Gulenoglu,Nazli Hamamcioglu,Alexander Kivlen,Mehmet Kokuoz,Kunter Kulu,Naomi Motohashi,Matthew Dillon Noonan,Onder Ozkan,Mert Sus,Doruk Tan,Mustafa Unal
Music Department Romain Allender,Jean-Pascal Beintus,Bijan Chemirani,Linda Cohen,Alexandre Desplat,Sussan Deyhim,Greg Ellis,Kudsi Ergüner,Richard Ford,Joel Iwataki,T.J. Lindgren,Dimitris Mahlis,Dan Marocco,David Metzner,Lewis Morison,Bill Newlin,Adam Olmsted,Conrad Pope,Dennis S. Sands,Naomi Sato,Nan Schwartz,Clifford J. Tasner,Derya Türkan,Joe Zimmerman,Helen Z. Altenbach,Carter Armstrong,Tom Brown,Kris Dirksen,Jay Duerr,Opie Gruves,Greg Hayes,Greg Loskorn,Marina Manukian,Victor Pesavento,Peter Rotter,David Stal
Script and Continuity Department Wilma Garscadden-Gahret,Max Vergara Poeti-Marentini,Sheila Waldron
Transportation Department John Agnew,Rick Chouinard,Bilge Sabri Isil,Marc Lipman,Joel Marrow,Ted Moser,Marvin LaRoy Sanders,Odessa Whitmire,Chris Basso,Anthony Detiege,Cody Lies,James A. Lundin,Yvette Peterson,John F. Teeple
Additional Crew Çagdas Agun,Serdar Atik,Joshuah Bearman,Spencer Beighley,Bruce Benson,Ashley Berlanga,Philipp Besa,Amanda Brand,Luke Brigham,Danika Brysha,Tom Carson,Richard Cody,Rita Colimon,Kyle Cooper,Tony Didio Jr.,Andy Edmunds,Antonio Evans,Aaron Fairley,Carey Field,Holly Field,Heather Fielding,Cliff Fleming,John Funk,Jordan Gilbert,Steve Goldstein,Ashley Gressen,Jason Habelow,Les Harris,Jean Hodges,Pinar Isbilen,Jennifer K. Jacobs,Brian E. James,Richard Keeshan,Olgu Baran Kubilay,Christian Labarta,Roxann Langlois,C.J. Laursen,Anthony Liberatore,Alexa Song Lindenthaler,Johnny Lowe,Sahm McGlynn,Tony Mendez,Walter Norton Jr.,Tara Oslin,Nathaniel Park,Rafi Pitts,Casey Pond,Eddie Quintana,Michelle Reed,Kevin Reeves,Deborah Ricketts,Duane Rieder,Marissa Rosado,Mohsen Shandiz,Emine Soydanyavas,Andrew Stahl,Madison Steigerwald,Jack Story,Mary Sunshine,May Tam,Ken Taylor,Stratton Ingram Taylor,Nick Tolmasov,Fiona Vokes,Leah Williams,Kevin Zelman,Marc Abbink,Mark Abraham,Sara Akhteh,Erik Altstadt,Jeanne Bernhard,Kate Berry,Mark Capaldi,Ardy Brent Carlson,Jacquelyn Carr,Cem Chaban,Lee Christian,Ashleigh Coffelt,Kyle Cooper,Dana Curt,Emma Davie,Rustin Davis,Robert Dierx,Gizem Elci,Michele Fahey,D.R. Farquharson,Taryn Feingold,Cliff Fleming,Stephanie M. Flores,Moe Friday,Christian Glymph,David Godbout,Matt Goldstein,David Goodin,Alfred Gundry,Jimmy Hang,Ari Joffe,Stephen Jones,David Dustin Kenyon,Alice S. Kim,Richard Kroll,Josh Land,Michael James Lazar,Sarah Lorenz,Yehuda MacDougall,Denis O Sullivan,Paul Pape,Christa Pedersen,Roberto Perez Antolin,Carlo Pratto,J.R. Robinson,Rafael Sanz,Bridget Shaw,Emma Siegel,Andrea Smith,Desmond Smith,Joss Spry,Chuck J. Stone,Danny Sullivan,Berivan Tokem,Joshua David Vaile,David Vogel,Judith Walder,Denizcan Ünal
Thanks Huma Abedin,Samuel Garner Affleck,Seraphina Rose Elizabeth Affleck,Violet Affleck,Jennifer Garner,Ian Mendez,Rafi Pitts,Douglas A. Smith,Whitney Williams,Adrienne Wong
Genres Biography, Drama, Thriller
Companies Warner Bros., GK Films, Smokehouse Pictures
Countries UK, USA
Languages English, Persian, German, Arabic
ContentRating R
ImDbRating 7.7
ImDbRatingVotes 611933
MetacriticRating 86
Keywords iran,hostage,american propaganda,u.s. embassy,escape
Year 2012
ReleaseDate 2012-10-12
RuntimeMins 120
RuntimeStr 2h
Plot Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Awards Won 3 Oscars, 94 wins & 156 nominations total
Directors Ben Affleck
Writers Chris Terrio, Tony Mendez, Joshuah Bearman
Stars Ben Affleck, Bryan Cranston, John Goodman
Produced by Ben Affleck,Chris Brigham,Chay Carter,George Clooney,Tim Headington,Amy Herman,Grant Heslov,Graham King,David Klawans,Alex Sutherland,Nina Wolarsky
Music by Alexandre Desplat
Cinematography by Rodrigo Prieto
Film Editing by William Goldenberg
Casting By Lora Kennedy
Production Design by Sharon Seymour
Art Direction by Peter Borck
Set Decoration by Jan Pascale,Ken Chocolate
Costume Design by Jacqueline West
Makeup Department Trish Almeida,Barbara Augustus,Kate Biscoe,Laurel Kelly,Jamie Kelman,Ebru Kiziltan,John Maldonado,Cathrine A. Marcotte,Kelvin R. Trahan,Gigi Williams,Donna J. Anderson,Aurora Bergere,George Black,Belinda Bryant,Rhonda Ann Burns,Kimberly Carlson,Amanda Carroll,Erdinc Celik,John Damiani,Ilknur Elbek,Carol S. Federman,Sahin Gul,Cynthia Hernandez,Joe Matke,Cheryl Ann Nick,Rhonda O Neal,Deborah Rutherford,Don Rutherford,Judy Staats,Robert Wilson
Production Management Tina Anderson,Sean Garrett Fogel,Amy Herman,Zeynep Santiroglu,Kelley Smith-Wait,Katherine Tibbetts,Louis J. Anderson
Second Unit Director or Assistant Director Dennis Burrell,Ian Calip,Clark Credle,Alfonso Gomez-Rejon,Gavin Kleintop,Saeed Nasiri,Alison C. Rosa,Sunday Stevens,Mark Trapenberg,Belkis Turan,David Webb,Sinan Cevik,Stephanie Tull Coscina,Fatih Hilmi Haciosmanoglu,Ezgi Kerman,Lance W. Lanfear,Saeed Nasiri,Kaan Ozcan,Aysecan Ozturan,Sedat Turkantoz,Andrew Ward
Art Department Tim Ackers,Alejandro Aguilar,Nicole Balzarini,Heidi Baumgarten,John Bratton,Alan Burg,Wayne Coe,David Craig,Max Daly,Louise Del Araujo,Tunc Erguden,Chris Fix,Connie Gackenbach,Neil Gahm,Bryan Gettman,Deborah Harman,Nelson Hawthorne,Alex Hillkurtz,Guy Hoffner,Daniel R. Jennings,Guliz Kaymaksüt,Terry Kempf,Deniz Göktürk Kobanbay,Richard Lepore,Anthony Liberatore,David B. Long,Mike Maher,Sophia Male,Michael V. Maurice,Bryan McBrien,Brett McKenzie,Jeffrey McMahon,Gordon McVay,Barbara Mesney,Michael Mikita Jr.,Len Morganti,Ken Murphy,Cynthia C. Rebman,Andrea Rennard,John H. Samson,Dicle Sarman,Michael Sexton,Kevin Shaw,David Smith,R. Lucas Stewart,David Sues,Esen Tan,Gary Warshaw,Michael Keith Aleshire-Rezendez,Richard Alonso,Aykut Ayaztuna,Adem Aydin,Dilek Aydin,Nail Aydin,Bryan Badman,Murat Bas,Serdar Bayrak,Orkun Bektas,Daniel W. Blaha,Andrew Campbell,Nazli Celebi,Tevfik Celebi,Eunha Choi,Doug Crawford,Andres Cubillan,Kelly Deco,Benji Dell,Omer Demir,Murat Demirtas,Doug Devine,Bahadir Elverdi,Ayberk Dorukhan Erdogdu,Francesco franco Ferrara,Giovanni Ferrara,Chela Fiorini,Eva Firshein,Justin Freibrun,Erim Gayretli,Allison Gross,Enver Gumus,Selin Güngör,Ugur Hacan,Eric Hunsaker,Ayse Ilkorur,Ashlie Jump,Erkan Karahan,Taner Karakulak,Mehmet Kehri,Emre Kilicoglu,Ali Kursun,Melike Kurt,Mark Kwiatkowski,Thierry Labbe,Rick Newsome,Harun Odabas,Sezgin Oltulu,Celal Parlak,Mehdi Sabouni,Gulriz Sansoy,Emre Selcik,Tommy Tomlinson,Tina Tottis,Michael Vines,Michael A. Watt,Tamer Yigit
Sound Department Erik Aadahl,James Ashwill,Douglas Axtell,David Bach,Eric Bautista,Jason Brooks,David V. Butler,Greg Cosh,John T. Cucci,Richard Duarte,Joel Erickson,Jonathan Fuh,José Antonio García,John Guentner,P.K. Hooker,Jonathan Klein,Michael Miller,Thomas J. O Connell,John T. Reitz,Gregg Rudloff,Unsun Song,Greg Steele,Greg ten Bosch,Ethan Van der Ryn,Greg Zimmerman,David Alvarez,Michael Brigman,Blake Collins,Dan O Connell,Jordan O Neill,Rick Santizo,Edward Tise,Onur Yavuz,Ryan Young
Special Effects by Barry McQueary,Garth Steinheimer,R. Bruce Steinheimer,Ridvan Aksu,Roland Blancaflor,Yonatan Epstein,James Fredburg,Richard Stutsman
Visual Effects by Sandro Blattner,Jeremy Burns,Bernard O. Ceguerra,Jon Chesson,Craig Crawford,Brian Delmonico,Alexander Dervin,Matt Dessero,Michael Sean Foley,Alex Gitler,Geoffrey Hancock,Michael S. Harbour,Vijay Kadapatti,Raechel Kasprzak,Anne Putnam Kolbe,Jeremy Lei,Justin Lloyd,Gregory L. McMurry,Rachel McPherson,Kama Moiha,David Orman,Eric Pender,Chris Perkowitz,Alfredo Ramirez,James Rogers,Rasha Shalaby,Thomas J. Smith,Michele C. Vallillo,Aaron Vest,Jason Wardle,Wei Zheng,Erika Abrams,Ryan Andersen,Brett Angelillis,Erubeth Avila,Ethan Ayer,Charles Baden,Krista Benson,Jason Bond,Jamie Bowers,Peter Bowmar,Eric Bruneau,Korey J. Cauchon,Arrev Chantikian,Patrick Clancey,Chad E. Collier,Janice Barlow Collier,Dustin Colson,Michelle Cornwall,Erin M. Cullen,Alejandro De La Garza,Ivy Depies,Ian Dodman,Daniel Erickson,Lauren Gauthier,P. Whitney Gearin,Bill Gilman,Bryan Godwin,Derik Gokstorp,Pam Gonzales,Victoria Grey,Sara Hansen,Rachel Faith Hanson,Ian Holland,Lubo Hristov,Neviana Hristov,Travis Wade Ivy,Mike James,Jeff A. Johnson,Adam S. Jones,Harimander Singh Khalsa,James Kirk,Goran Kocov,Nha Hoan Le,Alexander Lee,Cory Lee,Don Lee,Kim Lee,Jack Lilburn,David Lingenfelser,Philippe Majdalani,Thomas Mathai,Shawn Monaghan,Andy Mower,Blake Muir,Ross Newton,Leon Nowlin,Brian Nugent,Adam Wong Perez,Chi Pham,Brett Reyenger,John Riddle,Renato M. Ruiz,Diganta Saha,Frida Sahono,Marc-Andre Samson,Nabil Schiantarelli,Den Serras,Jay Shindell,Simon J.H. Smith,Doug Spilatro,John Stewart,Shane Strickman,Donald Strubler Jr.,Jonathan Taranto,Ryan Urban,Henry van der Beek,David Van Dyke,Mark Van Ee,Rakitha Vithanage,Alex Whang,Matthew T. Wilson,David B. Wolgemuth II,Mike Woodhead,Jose Yapor,Chris Young
Stunts Awat A. Ahmed,Daniel Arrias,Zafer Aydin,Ergun Ayer,Koby Azarly,Ahmet Ali Basoglu,Chino Binamo,Refik Buldu,Anis Cheurfa,Max Daniels,Eyad Elbitar,Eddie J. Fernandez,Serkan Gunçikis,Thayr Harris,Mark Henson,Ben Hernandez Bray,Michael Hilow,Turgay Ince,Abraham Justice,Engin Karabacak,Henry Kingi Jr.,Matt McColm,Roman Mitichyan,Norman Mora,Panuvat Anthony Nanakornpanom,Marque Ohmes,J.J. Perry,Freddie Poole,Crystal Santos,Sener Sirbudak,Mehmet Tatar,Ayhan Tongadur,Sedat Toprak,Mehmet Turan,Hamdi Yolcu,Omid Zader,Rocky Abou-Sakher,Zoli Dora,Steve Hassenpflug,Gary Hymes,David Dustin Kenyon,Lauren Mary Kim,Chris Object,Allan Padelford,Yusuf Piskin,Jason Rodriguez,Shaheen Shokoofandeh,Josh Tessier,Bobby Zegar
Camera and Electrical Department Darrick Akey,Colin Anderson,Tuncay Burhan Arslan,Russell Ayer,Justin Babin,Mike Barnett,Craig Bauer,Robby Baumgartner,Keith Bernstein,Berto,Richard Boyle,Darwin Montana Browne,David J. Butkovich,Patrick Capone,Jeff Cole,Charles Crivier,Steven Cueva,James Spud Danicic,Anthony Desanto,Joseph Dianda,Matt Floyd,Claire Folger,Olivier Fortin,Josh Friz,Tom Gilmour,Tony Graham,Carl Hamilton,Orlando Hernandez,Steve Irwin,Simon Jayes,Dora Krolikowska,Brian T. Leach,Chris Leidholdt,Sam Liotta,Bobby Mancuso,Marc Marino,Peter Marsden,Dave Mikutsky,Matthew Thomas Moles,Luis Moreno,Nino Neuboeck,David Noble,David B. Nowell,Mike Panczenko Jr.,Lionel Pedro,Rafi Pitts,Bradford Ralston,Leigh Rathner,Bradley Richard,Jose Santiago,Michael J. Schwartz,Patrick Sheetz,Shan Siddiqi,Charles Simons,Alex Sinclair,Wes Sullivan,Andrew Sych,Olly Tellett,Scott Tinsley,Yagiz Tulloch,Diana Ulzheimer,Zoran Veselic,Bob Waybright,Chloe Weaver,Randy Woodside,Mike Yoder,Jozo Zovko,Gonzalo Amat,Burhan Arslan,Adem Ayas,Murat Ayyildiz,Ulgen Baglar,Mustafa Bayraktar,Mehmet Munir Bildik,Alejandro J. Castillo,Arda Celikel,Dale Cole,Christopher Crivier,Ali Kaptan Demirci,Durmus Demirezen,Umut Ekinci,James R. Ellis,Chris Ferro,Ersin Gok,Volkan Gokcek,John Grillo,Erdogan Gundogdu,Mehmet Ali Habip,Arif Kanber,Jason Kilgore,Zelfi Elcin Kirca Gokce,Seda Kisacik,Huseyin Koc,Steve Koster,Huseyin Kubad,Jonathan Leary,David Leite,Tom Lembcke,Andy Leo,Ken Longballa,Greg Lopez,James A. Lundin,Damon Marcellino,Aaron Marquette,Chuck May,Jim McComas,Kenneth Morton,Ahmet Murat,Erkan Murat,Shawn A. Mutchler,Megan Ogilvie,Hasan Ormanlar,Kemal Ozturk,Domenic Pacino,Mehmet Parlak,Richard Rasmussen,James A. Ray,Tony Rivetti,Kayhan Sen,Michael Tolochko,Feramuz Tuna,Mehmet Tuna,Hamit Uzun,Dustin VonLossberg,Michael Woodside,Murat Yesil,Serkan Yilmaz
Animation Department Gary Mau
Casting Department Safak Binay,Arlene Kiyabu,Morgue N. Marcus,Pamela Pearl,Hamzah Saman,Georgia Simon,Sara Akhteh,Elaine Alcala,Sande Alessi,Kristan Berona,Christian Cage,Carlyn Davis,Suzanne Kang,Jacque Lawson,Michael James Lazar,Dominic Passine,Mike Passine,Kait Pickering,Dayna Price,Hamzah Saman,Eric Shackelford,Guy Yosub
Costume and Wardrobe Department Ekin Akçay,Jeeda Barford,Melissa Binder,Alison Gail Bixby,Maria Bradley,Ceren Eken,Naomi Gathmann,Sean Haley,J.R. Hawbaker,Monica Haynes,Brad Holtzman,Nadide Kutlu,Tom Macdonald,Selin Togay Milovanoviç,Hilal Sezer,Sanford Slepak,Ann L. Thomas,Pamela Wise,Ezgi Acar,Kim Chewning,Marcy Craig,Pinar Daglayan,Deb Dalton,Safa Demirkan,Katie Howard,Ezgi Inal,Sezin Kolcu,Juan Lopez,Scott Maple,Fran Murphy,Nail Pehlivan,Tayfun Sahin,Beril Sinan,Selin Sozen,Keith M. Wegner,Christi Work,Gilbert Zamorano
Editorial Department George Chavez,Ben Estrada,Joe Galdo,Maria Paula Galdo,Parker Laramie,Yvan Lucas,Devon Miller,Loan Phan,Brett M. Reed,Tom Reiser,David Thomas,Cherri Arpino,Roland Eisinger,Moe Friday,Bruce Goodman,Afnahn Khan,JoAnne Ji Kim,Brent Koetter,Ken Lebre,Christopher McDonald,Daniel McGilvray,Joel McWilliams,Anthony Motta,Luis Silva,Nathaniel Lee Voelker,Tim Weyers
Location Management Chris Baugh,Michael Betz,Cem Chaban,Justin Duncan,Justin Harrold,Hugo Moreno,Ryan Neary,Peggy Pridemore,Saygin Saral,Michael Soleau,Joe Achard,Gregory H. Alpert,Lori A. Balton,Jessica Baroody,Ryan Celli,Ken Espinosa,Jeanie Farnam,Lisa Fozzati,Nicholas Glekas,Christian Glymph,Halil Gulduren,Ibrahim Gulduren,Hakan Gulenoglu,Nazli Hamamcioglu,Alexander Kivlen,Mehmet Kokuoz,Kunter Kulu,Naomi Motohashi,Matthew Dillon Noonan,Onder Ozkan,Mert Sus,Doruk Tan,Mustafa Unal
Music Department Romain Allender,Jean-Pascal Beintus,Bijan Chemirani,Linda Cohen,Alexandre Desplat,Sussan Deyhim,Greg Ellis,Kudsi Ergüner,Richard Ford,Joel Iwataki,T.J. Lindgren,Dimitris Mahlis,Dan Marocco,David Metzner,Lewis Morison,Bill Newlin,Adam Olmsted,Conrad Pope,Dennis S. Sands,Naomi Sato,Nan Schwartz,Clifford J. Tasner,Derya Türkan,Joe Zimmerman,Helen Z. Altenbach,Carter Armstrong,Tom Brown,Kris Dirksen,Jay Duerr,Opie Gruves,Greg Hayes,Greg Loskorn,Marina Manukian,Victor Pesavento,Peter Rotter,David Stal
Script and Continuity Department Wilma Garscadden-Gahret,Max Vergara Poeti-Marentini,Sheila Waldron
Transportation Department John Agnew,Rick Chouinard,Bilge Sabri Isil,Marc Lipman,Joel Marrow,Ted Moser,Marvin LaRoy Sanders,Odessa Whitmire,Chris Basso,Anthony Detiege,Cody Lies,James A. Lundin,Yvette Peterson,John F. Teeple
Additional Crew Çagdas Agun,Serdar Atik,Joshuah Bearman,Spencer Beighley,Bruce Benson,Ashley Berlanga,Philipp Besa,Amanda Brand,Luke Brigham,Danika Brysha,Tom Carson,Richard Cody,Rita Colimon,Kyle Cooper,Tony Didio Jr.,Andy Edmunds,Antonio Evans,Aaron Fairley,Carey Field,Holly Field,Heather Fielding,Cliff Fleming,John Funk,Jordan Gilbert,Steve Goldstein,Ashley Gressen,Jason Habelow,Les Harris,Jean Hodges,Pinar Isbilen,Jennifer K. Jacobs,Brian E. James,Richard Keeshan,Olgu Baran Kubilay,Christian Labarta,Roxann Langlois,C.J. Laursen,Anthony Liberatore,Alexa Song Lindenthaler,Johnny Lowe,Sahm McGlynn,Tony Mendez,Walter Norton Jr.,Tara Oslin,Nathaniel Park,Rafi Pitts,Casey Pond,Eddie Quintana,Michelle Reed,Kevin Reeves,Deborah Ricketts,Duane Rieder,Marissa Rosado,Mohsen Shandiz,Emine Soydanyavas,Andrew Stahl,Madison Steigerwald,Jack Story,Mary Sunshine,May Tam,Ken Taylor,Stratton Ingram Taylor,Nick Tolmasov,Fiona Vokes,Leah Williams,Kevin Zelman,Marc Abbink,Mark Abraham,Sara Akhteh,Erik Altstadt,Jeanne Bernhard,Kate Berry,Mark Capaldi,Ardy Brent Carlson,Jacquelyn Carr,Cem Chaban,Lee Christian,Ashleigh Coffelt,Kyle Cooper,Dana Curt,Emma Davie,Rustin Davis,Robert Dierx,Gizem Elci,Michele Fahey,D.R. Farquharson,Taryn Feingold,Cliff Fleming,Stephanie M. Flores,Moe Friday,Christian Glymph,David Godbout,Matt Goldstein,David Goodin,Alfred Gundry,Jimmy Hang,Ari Joffe,Stephen Jones,David Dustin Kenyon,Alice S. Kim,Richard Kroll,Josh Land,Michael James Lazar,Sarah Lorenz,Yehuda MacDougall,Denis O Sullivan,Paul Pape,Christa Pedersen,Roberto Perez Antolin,Carlo Pratto,J.R. Robinson,Rafael Sanz,Bridget Shaw,Emma Siegel,Andrea Smith,Desmond Smith,Joss Spry,Chuck J. Stone,Danny Sullivan,Berivan Tokem,Joshua David Vaile,David Vogel,Judith Walder,Denizcan Ünal
Thanks Huma Abedin,Samuel Garner Affleck,Seraphina Rose Elizabeth Affleck,Violet Affleck,Jennifer Garner,Ian Mendez,Rafi Pitts,Douglas A. Smith,Whitney Williams,Adrienne Wong
Genres Biography, Drama, Thriller
Companies Warner Bros., GK Films, Smokehouse Pictures
Countries UK, USA
Languages English, Persian, German, Arabic
ContentRating R
ImDbRating 7.7
ImDbRatingVotes 611933
MetacriticRating 86
Keywords iran,hostage,american propaganda,u.s. embassy,escape