Elizabeth – The Golden Age (Widescreen Edition) (DVD)

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Elizabeth – The Golden Age (Widescreen Edition) (DVD)
Elizabeth – The Golden Age (Widescreen Edition)

Elizabeth: The Golden Age is a 2007 biographical period drama film directed by Shekhar Kapur and produced by Universal Pictures and Working Title Films. It stars Cate Blanchett in the title role and is a fairly fictionalised portrayal of events during the later part of the reign of Elizabeth I, a sequel to Kapur s 1998 film Elizabeth. The film co-stars Geoffrey Rush (reprising his role from the previous film), Clive Owen, Jordi Mollà, Abbie Cornish, and Samantha Morton. The screenplay was written by William Nicholson and Michael Hirst, and the music score was composed by Craig Armstrong and A. R. Rahman. Guy Hendrix Dyas was the film s production designer and co-visual effects supervisor, and the costumes were created by Alexandra Byrne. The film was shot at Shepperton Studios and various locations around the United Kingdom.

The film premiered on 9 September 2007 at the Toronto International Film Festival. It opened in wide release in the United States on 12 October 2007, premiered in London on 23 October 2007, and opened wide on 2 November 2007 throughout the rest of the UK and Republic of Ireland. At the 80th Academy Awards, the film won Best Costume Design and Blanchett received a nomination for Best Actress.


In 1585, Catholic Spain, ruled by King Philip of Spain (Jordi Mollà), is the most powerful country in the world. Seeing Protestant England as a threat, and in retaliation for English piracy of Spanish ships, Philip plots to take over England and make his daughter, Isabella, the Queen of England in Elizabeth s place. Meanwhile, Queen Elizabeth I (Cate Blanchett) of England is pressured by her advisor, Francis Walsingham (Geoffrey Rush), to marry – if she dies childless, the throne will pass to her first cousin, once removed, Mary, Queen of Scots (Samantha Morton), who is Catholic.

English explorer Walter Raleigh (Clive Owen) is presented at Queen Elizabeth s English court, having returned from the New World. Queen Elizabeth is attracted to Raleigh, enthralled by his tales of exploration, and asks Bess Throckmorton (Abbie Cornish), her most favored lady-in-waiting, to observe him. Bess also finds Raleigh attractive and they begin a secret affair. With tensions strained between England and Spain, Elizabeth seeks guidance from her astrologer, Dr. John Dee.

Jesuits in London conspire with Philip to assassinate Queen Elizabeth and replace her with Queen Mary, in what King Philip calls The English Enterprise , historically known as the Babington Plot. From her imprisonment, Queen Mary sends secret correspondence to the Jesuits, who recruit Anthony Babington to assassinate Elizabeth. Walsingham continues to warn Queen Elizabeth of Spain s rising power and of the Catholics plots against her, but unlike her predecessor and half-sister Mary I of England, Elizabeth refuses to force her people to share her religious beliefs.

Walsingham s Catholic brother, who knows of the plot against Elizabeth, is jailed, leading Walsingham to reveal Spain s plan to Queen Elizabeth, who angrily confronts the Spanish diplomats. The Spanish ambassador feigns ignorance, accuses Queen Elizabeth of receiving Spanish gold from pirates, and insinuates that she has a sexual relationship with Raleigh. Enraged, Elizabeth throws the Spaniards out of court. Meanwhile, Philip is cutting down the forests of Spain to build the Spanish Armada to invade England. Mary writes letters condoning the plot.

Babington storms into a cathedral where Elizabeth is praying and fires a pistol at her, though Elizabeth is unharmed as there was no bullet in the gun. As Elizabeth learns of Mary s involvement in the plot, Walsingham insists Mary be executed to quell any possible revolt. Elizabeth reluctantly agrees. Mary is tried for high treason and beheaded; Walsingham realizes this was part of the Jesuits plan all along: Philip never intended for Mary to become queen, but with the Pope and other Catholic leaders regarding Mary as the true Queen of England, Philip uses Mary s death to obtain papal approval for war. The murder of the last legitimate Catholic in the line of succession gives Philip the pretext he needs to invade England and remove Elizabeth, leaving the way to the English throne free for his own daughter.

Bess reveals to Raleigh that she is pregnant with his child, and pleads with him to leave. Instead, the couple marries in secret. When Elizabeth confronts Bess, she confesses her pregnancy and that Raleigh is her husband. An infuriated Elizabeth berates Bess, reminding her that she cannot marry without royal consent. She banishes Bess from court and has Raleigh imprisoned for the crime of seducing a ward of the Queen.

As the Spanish Armada begins its approach up the English Channel, Elizabeth forgives Bess and sets Raleigh free to join Sir Francis Drake in the battle. The ships of the Armada vastly outnumber England s, but a storm blows the Armada toward the beaches, endangering its formation and becoming vulnerable to English fire ships. Elizabeth, atop her coastal headquarters, walks out to the cliffs and watches the Spanish Armada sink in flames as the English prevail.

She visits Raleigh and Bess and blesses their child. Elizabeth appears to triumph personally through her ordeal, again resigned to her role as the Virgin Queen and mother to the English people.


  • Cate Blanchett as Queen Elizabeth I
  • Geoffrey Rush as Sir Francis Walsingham
  • Clive Owen as Sir Walter Raleigh
  • Abbie Cornish as Bess Throckmorton
  • Samantha Morton as Mary, Queen of Scots
  • Jordi Mollà as King Philip II of Spain
  • Susan Lynch as Annette Fleming
  • Rhys Ifans as Robert Reston
  • Eddie Redmayne as Anthony Babington
  • Tom Hollander as Amias Paulet
  • David Threlfall as John Dee
  • Steven Robertson as Sir Francis Throckmorton
  • Adam Godley as William Walsingham
  • Laurence Fox as Sir Christopher Hatton
  • William Houston as Guerau de Espés
  • Christian Brassington as Charles II, Archduke of Austria
  • John Shrapnel as Charles Howard, 1st Earl of Nottingham
  • Kelly Hunter as Ursula Walsingham


Historical background

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In 1558, King Philip II of Spain s second wife, Queen Mary I of England, died. They had wed in July 1554, a year after Mary s accession to the English throne, but the English Parliament had refused to grant him much real power as co-monarch of England. On Mary s death he tried unsuccessfully to persuade her sister and successor, Elizabeth I, to marry him.

For many years Philip maintained peace with England, and even defended Elizabeth from the Pope s threat of excommunication. This was a measure taken to preserve a European balance of power. Ultimately, Elizabeth allied England with the Protestant rebels in the Netherlands. Further, English ships began a policy of piracy against Spanish trade and threatened to plunder the great Spanish treasure ships coming from the New World. English ships went so far as to attack a Spanish port. The last straw for Philip was the Treaty of Nonsuch signed by Elizabeth in 1585 – promising troops and supplies to the rebels. Although it can be argued this English action was the result of Philip s Treaty of Joinville with the Catholic League of France, Philip considered it an act of war by England. With the Pope s blessing, he launched the Spanish Armada to attack England, Protestantism, and Elizabeth herself. Sir Walter Raleigh, whom the Queen favored, married Elizabeth Throckmorton, a ward of Elizabeth s court, after learning she was carrying his child. Elizabeth I had both of them arrested, imprisoned in the Tower of London, and some time later released them.

Dramatic licence

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This representation of a historical period is heavily fictionalised for the purposes of entertainment. The film s lead Cate Blanchett was reported as saying: It s terrifying that we are growing up with this very illiterate bunch of children, who are somehow being taught that film is fact, when in fact it s invention . Some of the simpler fictions are:

  • Sir Walter Raleigh is falsely portrayed as a major figure in the defeat of the Spanish Armada and does not so credit Sir Francis Drake and other key leaders.
  • Robert Dudley, 1st Earl of Leicester, was lieutenant general at the Armada crisis, but in the film, he is not present at the Tilbury camp, his role having been given to Raleigh. The movie also does not make mention of Dudley s military campaign in the Netherlands.
  • Charles Howard (Lord Howard of Effingham, the actual commander of the English fleet), says at one point, We re losing too many ships. In reality, not a single English ship was lost during the battle.
  • The film depicts Elizabeth being advised by Dr John Dee. Historically, Dee was travelling the continent throughout the period depicted and did not return until more than a year after the defeat of the Armada. Elizabeth s actual main advisor and chief minister, William Cecil, 1st Baron Burghley, is omitted from the film altogether.
  • The portrayed Jesuit leader of the Babington Plot, Robert Reston, is completely fictional, though based on the real-life Jesuit John Ballard, who encouraged Babington to initiate the assassination attempt on Elizabeth, which would subsequently begin the chain of events leading to the Spanish invasion. However, because Ballard was depicted being executed in the previous film for participating in the Ridolfi plot, the persona of Reston was created to replace him.
  • In the film, Elizabeth is confronted at the altar of Old St Paul s Cathedral by Anthony Babington, who has a pistol charged with powder but no shot. The real Babington Plot was, like preceding plots against Elizabeth, discovered and thwarted by Francis Walsingham s investigative efforts while still in the planning stages, long before there was any threat of harm to Elizabeth.
  • The film also depicts Babington (and, implicitly, the other conspirators) as having been hanged by long drop, rather than the actual, and more gruesome method of hanging, drawing and quartering.
  • In 1585, Elizabeth was 52 (considered too old to bear children). The film shows various suitors being presented to the queen, with a view to marriage and children; the events presented actually took place much earlier in her reign. For instance, Erik XIV of Sweden abandoned his proposals to marry Elizabeth after his trip to England was interrupted by his father s death in 1560, when Elizabeth was 27. In fact, by 1568, Erik had been deposed from the Swedish throne and died in captivity in 1577. Likewise, marriage negotiations with Charles II, Archduke of Austria were abandoned in 1568 and in 1571, Charles married his niece Maria Anna of Bavaria, with whom he had fifteen children.
  • Philip II of Spain is depicted at the time of the Armada as an old, sick man. In fact he was just five years older than Elizabeth, and his death (from cancer) was not until eight years later, in 1596.
  • In 1588, Infanta Isabel of Spain is portrayed as a child. In reality, she was 21 by this time.
  • The lady-in-waiting, Bess Throckmorton, in fact became pregnant with Walter Raleigh s child in the summer of 1591, three years after the defeat of the Armada, not immediately before. After their secret marriage was inevitably discovered, Elizabeth had them locked up in the Tower of London. While she did eventually release them both, it was not out of any sense of forgiveness as the movie depicts. She released Raleigh because one of his expeditions returned to England with a captured Spanish ship, the Madre de Dios, and his men threatened a mutiny if she did not return Raleigh to them. Bess was released because Elizabeth felt guilty after Bess s baby died of plague while she was incarcerated in the Tower.
  • The affair between Raleigh and Bess is depicted as beginning when Raleigh consoles Bess after her cousin Francis is executed for his plot to assassinate Elizabeth, six years before the affair actually took place.
  • Mary, Queen of Scots is depicted as having a Scottish accent, when in actuality, she had been raised at the French court from the age of five and did not return to Scotland until she was a young woman.
  • The film shows Spanish envoys and other members of court wearing swords during their audiences with Elizabeth. Owing to threats of assassination, only members of the Royal Guard were permitted to carry weapons near Elizabeth while she was in court.
  • The execution of Mary, Queen of Scots, is portrayed as having happened very swiftly after her arrest, while she was still a young woman. In fact, Mary was held in custody at various places for 19 years before her execution in 1587, at the age of 44.
  • The film depicts the battle between the English navy and the Spanish Armada as consisting of broadsides from the ships of both fleets. In fact, while the English ships were able to fire multiple times during the course of a day, the heavy Spanish guns were so difficult to reload that they were frequently only fired once. Broadsides would accompany later developments in ship design in the first half of the 17th century, the first major actions involving such technology and tactics for the English being the Anglo-Dutch Wars.
  • During the film, Elizabeth spoke German to Charles II, Archduke of Austria. Although Elizabeth spoke several languages there is no evidence that she was taught or spoke German; nor is it likely that they ever met.
  • There was no Spanish ambassador in Elizabeth s court in 1585, as Elizabeth had him expelled from England following the discovery of the Throckmorton plot, after Francis Throckmorton claimed under torture that his plot had been sanctioned by the Spanish.

Claims of anti-Catholicism

The film depicts an important episode in the violent struggle between the Protestant Reformation and the Counter-Reformation that polarised European politics. Several critics (some cited below) claimed the film was anti-Catholic and followed a traditional English view of their own history. A British-based priest, Father Peter Malone, declared the film to be jingoistic in his review.

In the US the National Catholic Register, film critic Steven D. Greydanus compared this film to The Da Vinci Code, and wrote: The climax, a weakly staged destruction of the Spanish Armada, is a crescendo of church-bashing imagery: rosaries floating amid burning flotsam, inverted crucifixes sinking to the bottom of the ocean, the rows of ominous berobed clerics slinking away in defeat. Pound for pound, minute for minute, Elizabeth: The Golden Age could possibly contain more sustained church-bashing than any other film I can think of. Greydanus asked: How is it possible that this orgy of anti-Catholicism has been all but ignored by most critics?

Stephen Whitty of the Newark Star-Ledger said: This movie equates Catholicism with some sort of horror-movie cult, with scary close-ups of chanting monks and glinting crucifixes. Colin Covert of the Minneapolis Star Tribune complained of what he saw as ugly anti-Catholic imagery , and Bob Bloom of the Lafayette Journal & Courier agreed that anti-Catholicism was one of the film s sore points .

Monsignor Mark Langham, Administrator of Westminster Cathedral, was criticised by some Roman Catholics for allowing scenes to be shot there; although praising the film as a must see , he suggested that it does appear to perpetuate the myth of killer priests .

Historian Franco Cardini, of the University of Florence, alleged the film formed part of a concerted attack on Catholicism, the Holy See and Papism by an alliance of atheists and apocalyptic Christians . Why put out this perverse anti-Catholic propaganda today, just at the moment when we are trying desperately to revive our Western identity in the face of the Islamic threat, presumed or real?

Director Shekhar Kapur rejected this criticism of his film, saying: It is actually very, very deeply non-anti-Catholic. It is anti extreme forms of religion. At that time the church in Spain, or Philip had said that they were going to turn the whole world into a very pure form of Catholicism. So it s not anti-Catholic. It s anti an interpretation of the word of God that is singular, as against what Elizabeth s was, which was to look upon her faith as concomitant. The fact is that the Pope ordered her execution; he said that anybody who executes or assassinates Elizabeth would find a beautiful place in the kingdom of heaven. Where else have you heard these words about Salman Khan or Salman Rushdie? That s why I made this film, so this idea of a rift between Catholicism and Protestants does not arise. My interpretation of Elizabeth is an interpretation of greater tolerance Philip, which is absolutely true. It s completely true that she had this kind of feminine energy. It s a conflict between Philip, who had no ability to encompass diversity or contradiction, and Elizabeth who had the feminine ability to do that.

Kapur extended this pluralist defence to his own approach: I would describe all history as fiction and interpretation ...sk any Catholic and they ll give you a totally different aspect of history ... History has always been an interpretation ... I do believe that civilisations that don t learn from history are civilisations that are doomed to make the same mistakes again and again, which is why this film starts with the idea of fundamentalism against tolerance. It s not Catholic against Protestant; it s a very fundamental form of Catholicism. It was the time of the Spanish Inquisition and against a woman whose half of her population was Protestant, half was Catholic. And there were enough bigots in her Protestant Parliament to say, Just kill them all , and she was constantly saying no. She was constantly on the side of tolerance. So you interpret history to tell the story that is relevant to us now.

Filming locations

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  • Baddesley Clinton, Warwickshire, England, UK (Raleigh s house exteriors)
  • Brean Down, Weston-super-Mare, Somerset, England, UK (Queen Elizabeth addresses her troops)
  • Burghley House, Stamford, Lincolnshire, England, UK (John Dee s house exteriors/London alley/Paris street scene)
  • Burnham-on-Sea, Somerset, England, UK
  • Dorney Court, Dorney, Buckinghamshire, England, UK (Raleigh s house/Walsingham s house/chapel interiors)
  • Doune Castle, Doune, Stirling, Scotland, UK
  • Eilean Donan Castle, Kyle of Lochalsh, Highland, Scotland, UK (Fotheringay Castle exteriors)
  • Ely Cathedral, Ely, Cambridgeshire, England, UK (Whitehall Palace interior)
  • Hatfield House, Hatfield, Hertfordshire, England, UK (Chartley Hall, also the interior of Walsingham s house)
  • Leeds Castle, Kent, England, UK (Chartley Hall/Windsor Castle exteriors)
  • Petworth House, Petworth, West Sussex, England, UK (Windsor Great Park)
  • Shepperton Studios, Shepperton, Surrey, England, UK
  • St Bartholomew-the-Great, London, England, UK (Fortheringay Castle/Chartley Hall interiors)
  • St John s College, Cambridge, Cambridge, Cambridgeshire, England, UK (Whitehall Palace exteriors/Thames scenes)
  • Wells Cathedral, Wells, Somerset, England, UK (Whitehall Palace interiors)
  • Westminster Cathedral, Westminster, London, England, UK (Escorial Palace/Lisbon Cathedral interiors)
  • Winchester Cathedral, Winchester, Hampshire, England, UK (St. Paul s Cathedral/The Chapel Royal interiors/gallows scene)


The original score was composed by A. R. Rahman and Craig Armstrong. Kapur was thrilled to have both Rahman and Armstrong working together on the music, saying it was fascinating to watch two people with totally different backgrounds and cultures interact.

Blanchett had travelled to India in the early 2000s, coming away with several Indian sounds, and badgered Kapur to get Rahman to score Hollywood movies. Antonio Pinto was mentioned as being a collaborator during production, but later Armstrong joined the project. In January 2009, he expressed regret that other compositions from A. R. Rahman were not used in the film, feeling that the score of Golden Age was not half as good as it could have been. He expressed hope to hear these pieces appear in another project.

Opening from the score was used in the BBC s coverage of the Single s Finals at the 2008 Wimbledon Championships. Storm is heard in a trailer of the 2013 film Man of Steel.

Track listing

1. Opening AR Rahman1:31
2. Philip AR Rahman, Craig Armstrong1:51
3. Now You Grow Dull AR Rahman0:57
4. Horseriding AR Rahman1:38
5. Immensities AR Rahman, Craig Armstrong2:41
6. Bess and Raleigh Dance AR Rahman2:34
7. Mary s Beheading AR Rahman, Craig Armstrong3:22
8. End Puddle / Possible Suitors AR Rahman, Craig Armstrong2:06
9. War / Realisation AR Rahman, Craig Armstrong2:57
10. Destiny Theme AR Rahman, Craig Armstrong2:31
11. Smile Lines AR Rahman, Craig Armstrong1:15
12. Bess to See Throckmorton AR Rahman, Craig Armstrong1:03
13. Dr Dee Part 1 AR Rahman3:18
14. Horseback Address AR Rahman, Craig Armstrong2:26
15. Battle AR Rahman3:29
16. Love Theme AR Rahman, Craig Armstrong2:51
17. Divinity Theme AR Rahman5:08
18. Storm AR Rahman3:00
19. Walsingham Death Bed AR Rahman, Craig Armstrong1:51
20. Closing AR Rahman, Craig Armstrong2:00
Total length:48:10

Home media

The film was released on Region 1 on DVD and HD DVD 5 February 2008. It was released on Blu-ray in 2009 and bundled with the first film.


Critical reception

Although Cate Blanchett s performance was highly praised, the film received generally mixed to negative reviews from US critics. On the review aggregator Rotten Tomatoes, 34% of critics gave the film a positive rating, based on 166 reviews; the average rating is 5.08/10. On Metacritic, the film had an average score of 45 out of 100, based on 32 reviews.

Peter Bradshaw of The Guardian, gave the film 1 star out of 5, remarking on the film s historical revisionism and melodrama. He writes: Where Kapur s first Elizabeth was cool, cerebral, fascinatingly concerned with complex plotting, the new movie is pitched at the level of a Jean Plaidy romantic novel .

Roger Ebert gave the film 2½ stars out of 4, saying there are scenes where the costumes are so sumptuous, the sets so vast, the music so insistent, that we lose sight of the humans behind the dazzle of the production . Ebert did, however, praise many of the actors performances, particularly that of Cate Blanchett as Queen Elizabeth I. He said that Blanchett could appear in the same Toronto International Film Festival playing Elizabeth and Bob Dylan, both splendidly, is a wonder of acting . Blanchett portrayed Bob Dylan in the film I m Not There and was nominated for an Academy Award for her roles in both movies.

Colin Covert of the Minneapolis Star Tribune gave the film 3 stars out of 4, writing ... as a pseudo-historical fable, a romantic triangle and a blood-and-thunder melodrama, the film can t be faulted and This isn t historical fabrication, it s mutilation. But for all its lapses, this is probably the liveliest, most vibrant Elizabethan production since Baz Luhrmann s Romeo + Juliet. while Wesley Morris of The Boston Globe said, Historians might demand a little more history from Elizabeth: The Golden Age. But soap opera loyalists could hardly ask for more soap.

Michael Gove, speaking on BBC Two s Newsnight Review, said: It tells the story of England s past in a way which someone who s familiar with the Whig tradition of history would find, as I did, completely sympathetic. It s amazing to see a film made now that is so patriotic ... One of the striking things about this film is that it s almost a historical anomaly. I can t think of a historical period film in which England and the English have been depicted heroically for the last forty or fifty years. You almost have to go back to Laurence Olivier s Shakespeare s Henry V in which you actually have an English king and English armies portrayed heroically .

Box office

Elizabeth: The Golden Age grossed $6.1 million in 2,001 theatres during its opening weekend in the United States and Canada, ranking #6 at the box office. In the United Kingdom and Republic of Ireland the film entered at No. 4 and earned £1.3 million ($2.7 million) on its opening weekend. As of February 2009 the worldwide total was $74.2 million, including $16.4 million in the US and Canada and $57.8 million elsewhere. In contrast, the film s predecessor, Elizabeth, grossed $30 million in the United States and Canada, and a total of $82.1 million worldwide.

Awards and nominations

The film received two Academy Award nominations, winning the Academy Award for Costume Design for Alexandra Byrne. Cate Blanchett was also nominated for the Academy Award for Best Actress for her performance in the film, becoming the first female actor to receive another Academy Award nomination for the reprisal of the same role.

Academy AwardsBest ActressCate BlanchettNominated
Best Costume DesignAlexandra ByrneWon
Art Directors Guild AwardsExcellence in Production Design for a Period FilmGuy Hendrix DyasNominated
Australian Film Institute AwardsBest International ActressCate BlanchettWon
British Academy Film AwardsBest Actress in a Leading RoleNominated
Best Costume DesignAlexandra ByrneNominated
Best Makeup and HairJenny ShircoreNominated
Best Production DesignGuy Hendrix Dyas and Richard RobertsNominated
British Society of CinematographersBest Cinematography in a Theatrical Feature FilmRemi AdefarasinNominated
Critics Choice Movie AwardsBest ActressCate BlanchettNominated
Costume Designers Guild AwardsExcellence in Period FilmAlexandra ByrneNominated
Empire AwardsBest ActressCate BlanchettNominated
Golden Globe AwardsBest Actress in a Motion Picture – DramaNominated
Irish Film & Television AwardsBest International ActressNominated
Satellite AwardsBest Art Direction and Production DesignGuy Hendrix Dyas and David AlldayWon
Best Costume DesignAlexandra ByrneWon
Screen Actors Guild AwardsOutstanding Performance by a Female Actor in a Leading RoleCate BlanchettNominated

At the 11th Pyongyang International Film Festival held in September 2008, one of the awards for special screening were conferred upon the film.




Universal Pictures Home Entertainment

Published Date





Universal Studios

Age Group


Rating MPA


Recording Studio

Universal Pictures Home Entertainment

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1h 54min


Won 1 Oscar, 7 wins & 33 nominations total


Shekhar Kapur


William Nicholson, Michael Hirst


Cate Blanchett, Clive Owen, Geoffrey Rush

Produced by

Tim Bevan, Jonathan Cavendish, Liza Chasin, Eric Fellner, Debra Hayward, Michael Hirst, Mary Richards

Music by

Craig Armstrong, A.R. Rahman

Cinematography by

Remi Adefarasin

Film Editing by

Jill Bilcock

Casting By

Fiona Weir

Production Design by

Guy Hendrix Dyas

Art Direction by

David Allday, Christian Huband, Jason Knox-Johnston, Phil Sims, Andy Thomson, Frank Walsh

Set Decoration by

Richard Roberts

Costume Design by

Alexandra Byrne

Makeup Department

Kalotina Amperidis, Beatrix Archer, Anita Brolly, Nicola Buck, Sharon Colley, Charmaine Fuller, Jon Henry Gordon, Sharon Holloway, Joe Hopker, Susan Howard, Terry Jarvis, Julie Kendrick, Uxue Laguardia, Mayuree Layton, Katie Lee, Louise Luxton, Ray Marston, Marion McCormack, Liz Michie, Liz Murray, Betty Niecy Alexander-Lawson, Dorka Nieradzik, Kath Rayner, Morag Ross, Karen Scott, Loulia Sheppard, Jenny Shircore, Barbara Taylor, Julia Vernon, Rose Warder, Carol Waugh, Gemma Waugh, Christine Whitney, Julia Wilson, Barbara Taylor

Production Management

Tania Blunden, Terry Blyther, Duncan Flower, Tom Forsyth, Steve Harvey, Mark Mostyn, Miguel Ángel Poveda

Second Unit Director or Assistant Director

William Booker, Chloe Chesterton, Alison Goring, Tommy Gormley, Matthew Grant, Richard Graysmark, Stewart Hamilton, Jack Ivins, Bryn Lawrence, Mark Layton, Zoe Liang, David C. Malcolm, Beatrice Manning, Candy Marlowe, Carolyn Milner, Greg Powell, Alan Stewart, Alan J. Wands

Art Department

Sammm Agnew, Adam Aitken, Adrian Aitken, Louis Alley, Gill Andrae-Reid, Philip Babbage, David Balfour, Geoff Ball, Stephan Batterham, Otis A. Bell, Ray Bell-Chambers, Alan Billam, Nik Billam-Smith, Gary Bird, Sean Bird, Tony Boxall, Mark Brady, Andrew Brogan, John Brogan, Rob Brookman, Frederick Buhagiar, John Butler, Rob Cameron, Adam Campbell, Martin Campbell, Carmel Cassidy, Andrew Castle, Bruce Cheesman, Neil Clark, Dean Clegg, Marlon Cole, Mel Coleman, Keith Connolly, Larry Cooch, Steve Cook, Simon Cordell, Peter Croucher, Peter Davis, Raymond Day, Wayne Day, Steve Deahl, Kevin Deardon, Keith Dyett, Paula Eden, Peter Edge, David Edwards, Lee Edwards, Hisham Ejjayha, Clifford Etheridge, John Field, Josh Field, Steve Fitzwater, John Folly, Suzanne Forward, Paul Garrett, Mark Geeson, James Gemmill, Patrick Gleeson, Bradley Godwin, Emilio Gonzalez, Alan Gooch, Jamie Goodfellow, Geoffrey Brian Grant, Kimberley Grant, Nigel Gray, Alexander Green, Matthew Green, Edward Griffiths, William Grzesik, Robert Gurney, Andrew Guyett, Simon Hague, Richard Hall, Wayne Hammond, John Harris, Rohan Harris, Alexandra Harwood, Norrie Henderson, Robert Hill, Arthur Holland, Oliver Howlett, Martin Hubbard, Nigel Hughes, Sarah Hunt, Len Huntingford, Douglas Ingram, Jason Ivall, Robert Jackson, Raymond James, Jesse Jones, Thomas Jones, Lee Keary, Scott Keery, Tony Kerr, Chris Kitisakkul, Helen Koutas, Angela Kyriacou, John Lloyd, John E. Madden, Simon Marjoram, Paul Marsh, Dan Maslen, Bruce Mayhew, David Mayhew, Peter Mayhew, Peter McCarroll, Thomas McCarthy, Stephen McClure, Duncan McDevitt, Scott Meeking, Glenn A. Mees, Paul Mitchell, Steve Mitchell, Stephen Morris, James Muir, Dennis Murray, Paul Nash, Kelly Neary, Cleo Nethersole, Paul Nott-Macaire, Michael O Callaghan, John O Shaughnessy, Colin Osgood, Stephen Page, Alan Payne, Kimberley Pope, Steven Thomas Powell, Karen Puddifoot, Tony Putt, Ramana.artbyramana, Robert Ramsey, Kevon Richards, Len Roberts, Malcolm Roberts, Matthew Roberts, Tony Roberts, John Robery, Jeremy Rose, Terry Royce, Andy Sandbach, Mel Sansom, Matt Sims, Anna Skrein, Colin Smith, Danny Smith, Dorian Smith, Keith Smith, Tony Snook, Jay Sotheran, Mike Sotheran, Codrina Spataru, Gary Stokes, Dwayne Tappin, Trine Taraldsvik, Gregor Telfer, Jenny Tobin, Andrew Tombs, Bradley Torbett, Jason Torbett, Raymond Tricker, Kevin Turner, Ilija Vasic, Stevan Vasic, Lloyd Vincent, Robert Voysey, Julian Walker, James Warren, Anthony Wass, Doreen Watkinson, Daniel Watts, Stephen Watts, Graham Weames, Michael Weaver, Daniel Wells, John Wells, Laurence Wells, Peter Wells, William Wells, Jason West, Brian White, Ian Whiteford, Luke Whitelock, Mark Williams, Richard Williams, David Williamson, Stuart Willis, Bradley Woodbridge, Douglas Woods, John Wright, Helen Xenopoulos, Sean Young, Adriaan Engelbrecht, Jack Garwood, Richard Magennis, Jonathan Moore, Seb Palmer, Amanda Ward

Sound Department

Mark Appleby, Paul Apted, Mark Auguste, Sam Auguste, Jeremy Balko, Antony Bayman, Jason Bennett, John Casali, Tim Cavagin, Mark DeSimone, Gary Dodkin, Robert Edwards, Tim Hands, Phil Jeffers, Mitch Low, Stephane Malenfant, Andy Neil, Jordan O Neill, Steve Single, Blair Slater, David Stephenson, Andy Thompson, Eric Thompson, Mario Vaccaro

Special Effects by

Ben Broadbridge, Keith Dawson, Michael Dawson, Amit Desai, Stuart Digby, Tony Edwards, Manex Efrem, Jody Eltham, Jason Leinster, David j Watson, Hayley J. Williams, Joss Williams, Victoria Williams, Neil Murray

Visual Effects by

Tony Abejuro, Nicolas Aithadi, Paul Alexiou, David Armitage, Gabriel Arnold, Richard Baillie, Kamilla Bak, Aram Balakjian, Murray Barber, Stephen Bearman, Matthew Benns, Philip Bland, Julian Blom, Virginie Bourdin, Michael Brazelton, Matthew Bristowe, Izet Buco, Stuart Bullen, Andrew Bunday, Jon Capleton, Jordi Cardus, Tom Carrick, Ross Colgan, Michelle Corney, Mark Curtis, Luan Davis, Hasraf Dulull, Guy Hendrix Dyas, Jonathan East, Clwyd Edwards, Yasmine El-Ghamrawy, Michael Elson, Ian Fallon, Bruno Fernandes, Andrew Fletcher, Matt Foster, Jigesh Gajjar, Ron Ganbar, Christoph Gaudl, David Gibbons, Holly Gosnell, Robert Hall, Qian Han, Penny Hayler, Andrew Hogden, Max Horton, Greg Howe-Davies, Marc Hutchings, Ryan Hutchings, Neil Huxley, Christian Irles, Drew Jones, Owen Jones, Pete Jopling, Mark Kennedy, Elaine Kieran, Richard Little, John Lockwood, Begoña Lopez, Howard Margolius, Scott Marriott, Javad Matoorian-Pour, Marian Mavrovic, Alan McCabe, Marlin McGlone, Alasdair McNeill, Matt Middleton, Victoria Mowlam, David Antonin Mucci, Jessica Norman, Cenay Oekmen, Simon Payne, Claire Pegorier, Richard Perry, Kim Phelan, Tim Pounds-Cornish, Donna Poynton, Sam Remfry, Becky Roberts, Aled Robinson, Guillaume Rocheron, James Rose, David Scott, Paul Shore, Richard Stammers, Steve Street, David Sudd, David Swift, Christopher Taylor, Marios Theodosi, Miquel Ubeda, Ian Ward, Jason Wen, Chris Wilson, Pat Wintersgill, Oliver Winwood, Anna Yamazoe, Phil Young, Martyn Drake, Sukh Gill, Sam Remfry


David Anders, Nick Chopping, Abbi Collins, George Cottle, Ben Dimmock, Rick English, Bradley Farmer, Dave Fisher, Pete Ford, Aldonio Danny Freitas, Andy Godbold, James Grogan, Paul Herbert, Gary Hoptrough, Rob Inch, Rowley Irlam, John Kearney, Paul Kennington, Marc Mailley, Peter Miles, Mark Mottram, Daniel Naprous, Ray Nicholas, Peter Pedrero, Greg Powell, Dominic Preece, Gordon Seed, Andy Smart, Jade Gordon

Camera and Electrical Department

Ben Adefarasin, John Adefarasin, Rene Adefarasin, Dave Armstrong, John Arnold, Brian Beaumont, Anna Benbow, Julie Bills, Paddy Blake, Bill Bullpitt, Stuart Bunting, Tony Burns, David Cadwallader, Chris Clarke, Matt Cole, David Cozens, Tim Dean, David Draper, Camilla Drennan, Andy Edridge, Laurence Edwards, Tobias Eedy, Simon Finney, Ian Franklin, Dave Freeth, Mark Funnell, Ian Glenister, Eugene Grobler, Guy Hammond, Dennis Holliday, Andy Hopkins, David Katznelson, David Kirman, Sam Kite, Andy Lawrence, Stefan Lissner, Tobias Marshall, Mark Milsome, Paul Molloy, Andy Munday, Gary Parnham, Nick Ray, Jon Saunders, Ken Slater, Colin Smith, Rob Southam, Toby Spanton, Laurie Sparham, Ian Speed, Otto Stenov, Alan Stewart, Iain Struthers, Brian Sullivan, David Taylor, Tom Taylor, Andy Thomson, Mark Thornton, Roger Tooley, Alf Tramontin, David Wall, Martyn Welland, Ben Wilson, Jimmy Wilson, David Worley, Danny Young, Vince McGahon

Animation Department

Stuart Messinger

Casting Department

Vanessa Baker, Lucy Bevan, Brendan Donnison, Alice Searby

Costume and Wardrobe Department

Sheara Abrahams, Robert Allsopp, Chloe Aubry, Sean Barrett, David Bethell, Anthony Brookman, Emma Brown, Melanie Carter, Martin Chitty, Peter k Christopher, Charlie Copson, Susan Crawshaw, Saffron Cullane, Sally Davis, Anne T. Delaney, Sallyann Dicksee, Lucy Donowho, Jane Flanagan, Andrew Fletcher, Steve Gell, Christian Goddard, Debbie Hinds, Tom Hornsby, Stephen Jones, Andrew Joslin, Robert Karn, Liberty Kelly, Gary Lane, Linda Lashley, Pernilla Lindfors, Stephanie Little, Sharon Long, Armelle Lucas, Cavita Luchmun, Anna Marquez, Josie Martin, Ciara McArdle, Fiona McCann, Louise Mills, Systa Mogensen, Jacqueline Mulligan, Hayley Nebauer, Leigh Nicol, Janie Nugent, Steve O Sullivan, Adedoyin Olushonde, Jools Osborne, Yvonne Otzen, Maggie Partington-Smith, Jane Petrie, Susan Smith, Sophia Spink, Jacqueline Thomas, Maurizio Torti, Suzi Turnbull, Jeremy Turner, Wyn Vaughan-Humphreys, Joanna Weaving, Michael Weldon, Dale Wibben, Ailsa Woodyard, Dominic Young

Editorial Department

Greg Barrett, Aisha Bicknell, Billy Browne, Rebecca Budds, Dan Crussell, Rob Gordon, Max Horton, Jaime Leonard, Faye Morgan, Helen Paszyn, Rajesh Rajilal, Karenjit Sahota

Location Management

Terry Blyther, Nick Daubeny, Alex Gladstone, Manus Hingerty, Manus Home, Drew Payne, Dan Whitty

Music Department

John Anderson, Nick Angel, Paul Archibald, Craig Armstrong, Joe Atkins, John Barclay, Fenella Barton, Paul Beniston, Simon Benson, Mark Berrow, Richard Berry, Richard Bissill, Nigel Black, Catherine Bott, Thomas Bowes, Kazimir Boyle, Dudley Bright, Nicholas Bucknall, Nicholas Cervonaro, David Chatterton, Chris Clad, Paul Clarvis, Stephen Coleman, The Consort of Musicke, Dermot Crehan, Caroline Dale, David Daniels, Albert Dennis, David Donaldson, David Donaldson, Michael Dore, Matt Dunkley, Philip Eastop, Liz Edwards, Richard Edwards, David Emanuel, Jonathan Evans-Jones, Sarah Eyden, Julian Farrell, Andrew Findon, Emma Ford, Geoff Foster, Clio Gould, Timothy Grant, Claire Greenway, Peter Hanson, Roger Harvey, Stephen Henderson, Fiona Hibbert, Garfield Jackson, Jake Jackson, David Johnson, Karen Jones, Seanine Joyce, Helen Keen, Paul Kegg, Gary Kettel, Jo Knight, Boguslav Kostecki, T.R. Krishnachetan, Peter Lale, Charles Lane, Kirsten Lane, Patrick Lannigan, Chris Lawrence, Julian Leaper, Tom Lees, Gabrielle Lester, Tony Lewis, Martin Loveday, William Lyons, Rita Manning, Jane Marshall, Stephen Maw, James McLeod, Don McVay, Perry Montague-Mason, Steve Morris, Everton Nelson, Kathy Nelson, Jenny O Grady, Catherine O Halloran, Martin Owen, Andy Parker, John Parricelli, Tom Pigott Smith, Anthony Pike, Chris Pitsillides, Anthony Pleeth, Jonathan Rees, Frank Ricotti, Martin Robertson, Saroja, Jackie Shave, Emlyn Singleton, Owen Slade, Sonia Slany, Gareth Small, Dave Stewart, David Theodore, Richard Thomas, Cathy Thompson, Jon Thorne, Mariyam Toller, Chris Tombling, Allen Walley, Cecilia Weston, Robert White, Paul Willey, Jonathan Williams, Vicki Williams, Dave Woodcock, Warren Zielinski, Rachel Bolt, Dave Foster, Mary Scully, Bruce White

Script and Continuity Department

Angela Wharton

Transportation Department

Mike Beaven, Mark Crowley, Ian Drinkwater, Lee Isgar, Enyo Mortty, Gavin Mullins, Julian O Sullivan, Karen Russell, Barry Stevenson, Ian Yea

Additional Crew

Jeremy Angel, Christina Angeloudes, Colette Appleby, Helen Appleby, Daren Bailey, Kate Bailey, Isabel Baquero, Rosie Bedford-Stradling, Barbara Berkery, Samantha Black, Roy Borrett, Andy Brown, Dougal Cadiou, Jo Cameron Brown, Jodie Caron, Gavin Carruthers, Leah Chalk, Ruth Coulter, Emma Dent, Farnaz Donovan, Chloe Dorigan, Penny Dyer, Judith Edwards, Peter Edwards, Gary Etherington, Larry Eydmann, Paul Fischer, Dave Fishlock, Dan Frye, Jane Gibson, Tarquin Glass, Jess Green, Andrew Haddock, Paul Hayes, Emma Hazell, Oliver Hazell, Steve Hideg, Alexander Hodgson, Sarah Hunt, Amy Irvine, Lee Isgar, Aliza James, Nick Jeffries, Stuart Johnson, John Jones, Non Jones, Antony Judd, Jemma Kearney, Mary Kerr, Suresh Khale, Jen Lambert, Stacy Mann, Jill McCullough, Damian Mitchell, Anna Mohr-Pietsch, Steve Morphew, Mark Munnelly, Clive Noakes, Jean-Pierre Nonnet, Peter Norcliffe, David Z. Obadiah, Becky Page, Diego Percossi Papi, Roger Phillips, Justin Pollard, Stephanie G. Pollard, Rebecca Rae, James Richardson, Maria Ryan, Dave Shaw, Roy Squires, Michele Tandy, Katharine Tidy, Kevin Tuffley, Clare Williams, Michael Wilson, Sarah Jane Wright, Wil Wright, John Hamilton, Gareth Lewis, Ben Morris


Biography, Drama, History


Universal Pictures, StudioCanal, Working Title Films


UK, France, Germany, USA


English, Spanish, Swedish





ImDb Rating Votes


Metacritic Rating


Short Description

Elizabeth: The Golden Age is a 2007 biographical period drama film directed by Shekhar Kapur and produced by Universal Pictures and Working Title Films. It stars Cate Blanchett in the title role and is a fairly fictionalised portrayal of events during the later part of the reign of Elizabeth I, a sequel to Kapur s 1998 film Elizabeth. The film co-stars Geoffrey Rush (reprising his role from the previous film), Clive Owen, Jordi Mollà, Abbie Cornish, and Samantha Morton. The screenplay was written by William Nicholson and Michael Hirst, and the music score was composed by Craig Armstrong and A. R. Rahman. Guy Hendrix Dyas was the film s production designer and co-visual effects supervisor, and the costumes were created by Alexandra Byrne. The film was shot at Shepperton Studios and various locations around the United Kingdom.

The film premiered on 9 September 2007 at the Toronto International Film Festival. It opened in wide release in the United States on 12 October 2007, premiered in London on 23 October 2007, and opened wide on 2 November 2007 throughout the rest of the UK and Republic of Ireland. At the 80th Academy Awards, the film won Best Costume Design and Blanchett received a nomination for Best Actress.

Box Office Budget

$55,000,000 (estimated)

Box Office Opening Weekend USA


Box Office Gross USA


Box Office Cumulative Worldwide Gross



Queen,spy,elizabeth i character,female ruler,female monarch