Glory (DVD)

Glory is a 1989 American historical war drama film directed by Edward Zwick about the 54th Massachusetts Infantry Regiment, one of the Union Army s earliest African-American regiments in the American Civil War. It stars Matthew Broderick as Colonel Robert Gould Shaw, the regiment s commanding officer, and Denzel Washington, Cary Elwes, and Morgan Freeman as fictional members of the 54th. The screenplay by Kevin Jarre was based on the books Lay This Laurel (1973) by Lincoln Kirstein and One Gallant Rush (1965) by Peter Burchard and the personal letters of Shaw. The film depicts the soldiers of the 54th from the formation of their regiment to their heroic actions at the Second Battle of Fort Wagner.

Glory was co-produced by TriStar Pictures and Freddie Fields Productions, and distributed by Tri-Star Pictures in the United States. It premiered in limited release in the United States on December 14, 1989, and in wide release on February 16, 1990, grossing $27 million worldwide on an $18 million budget. The film was nominated for five Academy Awards and won three, including Best Supporting Actor for Washington. It also won awards from the British Academy of Film and Television Arts, the Golden Globe Awards, the Kansas City Film Critics Circle, the Political Film Society, and the NAACP Image Awards.

Plot

After being wounded at Antietam, Captain Robert Gould Shaw is sent home to Boston on medical leave. His well-connected father obtains for him a promotion to colonel of the 54th Massachusetts Infantry Regiment, one of the first all-black regiments in the Union Army. Shaw appoints his friend and fellow soldier Cabot Forbes as his second-in-command. Their first volunteer is Thomas Searles, a bookish, free African-American who works as the Shaw family s secretary. Other recruits include John Rawlins, Jupiter Sharts, Silas Trip, and a mute teenage drummer boy whom Rawlins refers to as Honey .

The men learn that in response to the Emancipation Proclamation, the Confederacy has issued an order that captured black men are to be returned to slavery. Black soldiers found wearing uniforms will be executed as well as their white officers. Shaw offers honorable discharges to any man who does not want to fight, but no one takes his offer. The men undergo rigorous training from Sergeant-Major Mulcahy, who is particularly hard on Searles. Despite Mulcahy s treatment of his friend and the abuse he inflicts on the other recruits, Shaw reluctantly accepts that tough discipline is needed to prepare them for the coming challenges the regiment must face.

Trip deserts and is caught; Shaw orders him flogged in front of the regiment. He then learns that Trip left to find proper shoes because his men are being denied these supplies. Shaw confronts the base s racist quartermaster on their behalf and gets the supplies. He also supports his men in a pay dispute; the federal government decrees that black soldiers will only be paid $10, not the $13 per month all white soldiers receive. When the men, led by Trip, begin tearing up their pay vouchers in protest of this unequal treatment, Shaw tears up his own voucher and declares that none of the white officers will accept pay. In recognition of the leadership he has displayed, Rawlins is promoted to the rank of sergeant major.

Once the 54th completes its training, the unit is transferred to serve under the command of Brigadier General Charles Harker. On their first mission, the 54th is ordered by Colonel James Montgomery to sack and burn Darien, Georgia with Montgomery s own poorly disciplined black soldiers. Shaw initially refuses to obey an unlawful order but reluctantly agrees under threat of facing a court-martial and being relieved of his command. He continues to lobby his superiors to allow his regiment to fight after weeks of having nothing to do but backbreaking manual labor.

Shaw finally gets the 54th a combat assignment after he blackmails Harker and Montgomery by threatening to inform the War Department of their involvement in illegal profiteering. In its first battle at James Island, South Carolina, the 54th successfully repels a Confederate attack that had routed other units. During the battle, Searles is wounded but saves Trip from being stabbed in the back. Shaw offers Trip the honor of bearing the regimental flag in battle. He declines, unsure if winning the war would result in a better life for ex-slaves like himself.

General George Strong informs Shaw along with his fellow commanders of a major campaign to secure a foothold at Charleston Harbor. This involves assaulting Morris Island and capturing Fort Wagner, whose only landward approach is a strip of open beach; a charge is certain to result in heavy casualties. Shaw volunteers the 54th to lead the attack. The night before the battle, the black soldiers conduct a religious service. Several make emotional speeches, including Trip, who finally embraces his fellow soldiers. On its way to the battlefield, the 54th is cheered by the same Union troops who had scorned them earlier.

The 54th leads the charge on the fort at dusk, suffering serious losses. As night falls, the regiment is pinned down against the fort s walls. Attempting to encourage his men forward, Shaw is struck by several bullets and killed. Trip, despite his previous assertion that he would not do it, lifts the flag and tries to rally the men before being shot dead. Forbes and Rawlins take charge, and the soldiers break through the fort s outer defenses. Seemingly on the brink of victory, Forbes, Rawlins, Searles, Sharts, and the two color sergeants realize that the enemy has cannons pointed right at them. The morning after the battle, the beach is littered with the bodies of black and white Union soldiers; the Confederate flag is raised over the fort. The dead Union soldiers are buried in a mass communal grave, with Shaw and Trip s bodies next to each other.

A textual epilogue reveals that the regiment lost over half its number during the assault and that Fort Wagner never fell to the Union Army. However, the courage demonstrated by the 54th spurred Congress to authorize the raising of black soldiers throughout the Union. Over 180,000 volunteered and President Abraham Lincoln credited them with helping to turn the tide of the war.

Cast

• Matthew Broderick as Colonel Robert Gould Shaw
• Denzel Washington as Private Silas Trip
• Cary Elwes as Major Cabot Forbes
• Morgan Freeman as Sergeant Major John Rawlins
• Andre Braugher as Corporal Thomas Searles
• Jihmi Kennedy as Private Jupiter Sharts
• Cliff DeYoung as Colonel James Montgomery
• Alan North as Governor John Albion Andrew
• John Finn as Sergeant Major Mulcahy
• Mark Margolis as 10th Connecticut Soldier
• RonReaco Lee as Mute Drummer Boy
• Donovan Leitch as Captain Charles Fessenden Morse
• Bob Gunton as General Charles Garrison Harker
• Jay O. Sanders as General George Crockett Strong
• Raymond St. Jacques as Frederick Douglass
• Richard Riehle as Quartermaster
• JD Cullum as Henry Sturgis Russell
• Christian Baskous as Edward L. Pierce
• Peter Michael Goetz as Francis Shaw
• Jane Alexander as Sarah Blake Sturgis Shaw (uncredited)

Production

The title of the film recalls the glory for which the July 28, 1863, edition of the weekly Columbus Enquirer reported that First-Sergeant Robert John Simmons, mortally wounded at Battery Wagner, came to fight (Simmons himself wrote, in an account of the Battle of Grimball s Landing that was published in the New York Tribune on December 23, 1863: God has protected me through this, my first fiery, leaden trial, and I do give Him the glory ). Kevin Jarre s inspiration for writing the film came from viewing the monument to Colonel Shaw and the 54th Massachusetts Volunteer Infantry in Boston Common. The 54th was the first formal unit of the Union Army to be made up entirely of African-American enlisted men; all of the officers were white men. His screenplay was based on two books, Lincoln Kirstein s Lay This Laurel (1973) and Peter Burchard s One Gallant Rush (1965), and the personal letters of Robert Gould Shaw.

Exterior filming took place primarily in Massachusetts and Georgia. Opening passages, meant to portray the Battle of Antietam, show volunteer military reenactors filmed at a major engagement at the Gettysburg battlefield. Zwick did not want to turn Glory into a black story with a more commercially convenient white hero . Actor Morgan Freeman noted: We didn t want this film to fall under that shadow. This is a picture about the 54th Regiment, not Colonel Shaw, but at the same time the two are inseparable . Zwick hired the writer Shelby Foote as a technical adviser, who later became widely known for his contributions to Ken Burns PBS nine-episode documentary, The Civil War (1990).

Glory was the first major motion picture to tell the story of black U.S. soldiers fighting for their freedom from slavery during the Civil War. The 1965 James Stewart film Shenandoah also depicted black soldiers fighting for the Union, but the script suggested the Union army at that time was integrated.

On February 16, 1989, the body of a middle-aged man was discovered on the film s set in Savannah, about a day after his death. Described as having a Middle Eastern appearance, with no apparent signs of suffering a violent death, he was never positively identified.

Soundtrack

Glory: Original Motion Picture Soundtrack
Film score by James Horner
Released	November 1, 1990
Length	43:21
Label	Virgin

Glory s original motion picture soundtrack was released by Virgin Records on January 11, 1990. The score for the film was composed and orchestrated by James Horner in association with the Boys Choir of Harlem. Jim Henrikson edited the film s music, while Shawn Murphy mixed the score.

Marketing

Monograph

A nonfiction study of the regiment first appeared in 1965 and was republished in paperback in January 1990 by St. Martin s Press under the title One Gallant Rush: Robert Gould Shaw and His Brave Black Regiment. The book, by Peter Burchard, expands on how the 54th Massachusetts developed as battle-ready soldiers. Summarizing the historical events, the book provides events surrounding the aftermath of the first Black Union regiment and how it influenced the outcome of the war.

Release

Critical response

On Rotten Tomatoes, the film holds an approval rating of 94%, based on 52 reviews, with an average rating of 7.9/10. The site s consensus states: Bolstered by exceptional cinematography, powerful storytelling, and an Oscar-winning performance by Denzel Washington, Glory remains one of the finest Civil War movies ever made.

Film critic Vincent Canby s review in The New York Times stated, gives his most mature and controlled performance to date ... an actor clearly on his way to a major screen career ... The movie unfolds in a succession of often brilliantly realized vignettes tracing the 54th s organization, training and first experiences below the Mason-Dixon line. The characters idiosyncrasies emerge . Roger Ebert from the Chicago Sun-Times gave the film three-and-a-half stars out of four, calling it a strong and valuable film no matter whose eyes it is seen through . He believed the production design credited to Norman Garwood and the cinematography of Freddie Francis paid enormous attention to period detail .

Watching Glory, I had one recurring problem. I didn t understand why it had to be told so often from the point of view of the 54th s white commanding officer. Why did we see the black troops through his eyes — instead of seeing him through theirs? To put it another way, why does the top billing in this movie go to a white actor?— Roger Ebert, writing in the Chicago Sun-Times

Peter Travers of Rolling Stone was not impressed at all with the overall acting, calling Broderick catastrophically miscast as Shaw . Alternatively, Richard Schickel of Time described the picture by saying, the movie s often awesome imagery and a bravely soaring choral score by James Horner that transfigure the reality, granting it the status of necessary myth . Desson Howe of The Washington Post, pointed out some flaws that included mentioning Broderick as an amiable non-presence, creating unintentionally the notion that the 54th earned their stripes despite wimpy leadership .

James Berardinelli writing for ReelViews, called the film without question, one of the best movies ever made about the American Civil War , noting that it has important things to say, yet it does so without becoming pedantic . Rating the film four stars, critic Leonard Maltin wrote that it was grand, moving, breathtakingly filmed (by veteran cinematographer Freddie Francis) and faultlessly performed , calling it one of the finest historical dramas ever made .

Gene Siskel of the Chicago Tribune gave the film a thumbs up review, saying, like Driving Miss Daisy, this is another admirable film that turns out to be surprisingly entertaining . He thought the film took on some true social significance and felt the actors portrayed the characters as more than simply black men . He explained: They re so different, that they become not merely standard Hollywood blacks, but true individuals .

American Civil War historian James M. McPherson stated the film accomplished a remarkable feat in sensitizing a lot of today s black students to the role that their ancestors played in the Civil War in winning their own freedom .

Accolades

The film was nominated and won several awards in 1989–90. A complete list of awards the film won or was nominated for are listed below.

Award	Category	Nominee	Result
62nd Academy Awards	Best Actor in a Supporting Role	Denzel Washington	Won
	Best Art Direction	Norman Garwood, Garrett Lewis	Nominated
	Best Cinematography	Freddie Francis	Won
	Best Film Editing	Steven Rosenblum	Nominated
	Best Sound	Donald O. Mitchell, Gregg Rudloff, Elliot Tyson, Russell Williams II	Won
41st ACE Eddie Awards	Best Edited Feature Film	————	Won
44th British Academy Film Awards	Best Cinematography	Freddie Francis	Nominated
British Society of Cinematographers Awards 1990	Best Cinematography		Won
Casting Society of America Artios Awards 1990	Best Casting for Feature Film, Drama	Mary Colquhoun	Nominated
47th Golden Globe Awards	Best Motion Picture – Drama	Freddie Fields	Nominated
	Best Director	Edward Zwick	Nominated
	Best Screenplay	Kevin Jarre	Nominated
	Best Supporting Actor – Motion Picture	Denzel Washington	Won
	Best Original Score	James Horner	Nominated
33rd Grammy Awards	Best Instrumental Composition Written for a Motion Picture or for Television		Won
Kansas City Film Critics Circle Awards 1989	Best Film	————	Won
	Best Director	Edward Zwick	Won
	Best Supporting Actor	Denzel Washington	Won
NAACP Image Awards 1992	Outstanding Motion Picture	————	Won
	Outstanding Supporting Actor	Denzel Washington	Won
1989 National Board of Review of Motion Pictures Awards	Best Picture	————	Nominated
1989 New York Film Critics Circle Awards	Best Supporting Actor	Denzel Washington	Nominated
1990 Political Film Society Awards	Human Rights	————	Nominated
Writers Guild of America Awards 1989	Best Adapted Screenplay	Kevin Jarre	Nominated

American Film Institute Lists

• AFI s 100 Years...100 Movies - Nominated
• AFI s 100 Years...100 Thrills - Nominated
• AFI s 100 Years...100 Heroes and Villains: Private Silas Trip - Nominated Hero
• Private Silas Trip - Nominated Hero
• AFI s 100 Years of Film Scores - Nominated
• AFI s 100 Years...100 Cheers - #31
• AFI s 100 Years...100 Movies (10th Anniversary Edition) - Nominated

Box office

The film premiered in cinemas on December 14, 1989, in limited release within the US. During its limited opening weekend, the film grossed $63,661 in business showing at three locations. Its official wide release began in theaters on February 16, 1990. Opening in a distant eighth place, the film earned $2,683,350 showing at 801 cinemas. The film Driving Miss Daisy soundly beat its competition during that weekend opening in first place with $9,834,744. The film s revenue dropped by 37% in its second week of release, earning $1,682,720. For that particular weekend, the film remained in 8th place screening in 809 theaters not challenging a top five position. The film Driving Miss Daisy, remained in first place grossing $6,107,836 in box office revenue. Glory went on to top out domestically at $26,828,365 in total ticket sales through a 17-week theatrical run. For 1989 as a whole, the film would cumulatively rank at a box office performance position of 45.

Home media

Following its release in theaters, the film was released on VHS video format on June 22, 1990. The Region 1 DVD widescreen edition of the film was released in the United States on January 20, 1998. Special DVD features include: interactive menus, scene selections, widescreen 1.85:1 color anamorphic format, along with subtitles in English, Italian, Spanish and French. A Special Edition DVD of the Film was released on January 30, 2001.

A special repackaged version of Glory was also officially released on DVD on January 2, 2007. It includes two discs featuring: widescreen and full screen versions of the film; Picture-in-Picture video commentary by director Ed Zwick and actors Morgan Freeman and Matthew Broderick; a director s audio commentary; and a documentary entitled, The True Story of Glory Continues narrated by Morgan Freeman. Also included are: an exclusive featurette entitled, Voices of Glory, an original featurette, deleted scenes, production notes, theatrical trailers, talent files, and scene selections.

The Blu-ray disc version of the film was released on June 2, 2009. Special features include: a virtual civil war battlefield, interactive map, The Voice Of Glory feature, The True Story Continues documentary, the making of Glory, director s commentary, and deleted scenes. The film is displayed in widescreen 1.85:1 color format in 1080p screen resolution. The audio is enhanced with Dolby TrueHD sound and is available with subtitles in English, Spanish, French, and Portuguese. A UMD version of the film for the Sony PlayStation Portable was also released on July 1, 2008. It features dubbed, subtitled, and color widescreen format viewing options.

Condition

New

Actor

Freddie Fields, Kevin Jarre, Lincoln Kirstein, P.k. Fields, Peter Burchard, Pieter Jan Brugge, Robert Gould Shaw

Publisher

Sony Pictures Home Entertainment

Published Date

1998

Age Group

Adult

Rating MPA

R

Recording Studio

Sony Pictures Home Entertainment

Format

DVD

Brand

Sony

ISBN-10

0800177967

ISBN-13

9780800177966

UPC / EAN

043396702899

Year

1989

ReleaseDate

1990-02-16

RuntimeMins

122

RuntimeStr

2h 2min

Awards

Won 3 Oscars, 14 wins & 18 nominations total

Directors

Edward Zwick

Writers

Kevin Jarre, Lincoln Kirstein, Peter Burchard

Stars

Matthew Broderick, Denzel Washington, Cary Elwes

Produced by

Pieter Jan Brugge, Sarah Caplan, Freddie Fields, P.K. Fields, Ray Herbeck Jr.

Music by

James Horner

Cinematography by

Freddie Francis

Film Editing by

Steven Rosenblum

Casting By

Mary Colquhoun

Production Design by

Norman Garwood

Art Direction by

Keith Pain, Dan Webster

Set Decoration by

Garrett Lewis

Costume Design by

Francine Jamison-Tanchuck

Makeup Department

Everett Burrell, Elle Elliott, Carl Fullerton, Julian Ledger, Linda Peterson, Ron Pipes, Francisco X. Pérez, Sean Rodgers, Mike Trcic, Chris Yagher, Kevin Yagher, Vera Yurtchuk

Production Management

Pieter Jan Brugge, Carol Dantuono, Tom Luse, Ted Zachary

Second Unit Director or Assistant Director

Vebe Borge, Joseph M. Caracciolo Jr., Karen Estelle Collins, Skip Cosper, Louis D Esposito, Douglas Dean III, Dan Lerner, Douglas S. Ornstein, Robert Rothbard, Richard Dub Wright

Art Department

Guy Barnes, Tony Belmonte, Kelly Farrah, Bobby Joe Garren, Doug C. Lewis, Mike Margaros, Ben Massi, Bernard Alan McPherson, Alan Munro, Andrew Precht, John Root, Marvin Salsberg, Jeff Spellerberg, Mark Woods, Dave Barnes, Peter C. Clarke, Ken Counts, Robert Engle, Patrick Fuhrman, K. Drew Fuller, Paul Vincent Fusco, Jody Gaber, Scott Garrett, Margaret Hungerford, Amy McGary

Sound Department

Bill Abbott, Albert Aquino, Robert Batha, Bob Beher, Lon Bender, Weldon Brown, James Cavarretta, Laurel Doran, Dean Drabin, Sukey Fontelieu, George Fredrick, Scott Martin Gershin, Avram D. Gold, Kevin Hearst, Devon Heffley Curry, Chris Hogan, Alan Holly, Jack Keller, Chet Leonard, Steve Mann, Joseph A. Mayer, Therese McLaughlin, Lisa Miller, Donald O. Mitchell, Dan O Connell, Kelly Oxford, Dan M. Rich, Bill Rojas, Gregg Rudloff, Frank Smathers, David Spence, Wylie Stateman, Alicia Stevenson, Elliot Tyson, Kim Waugh, Russell Williams II, Marshall Winn, David W. Alstadter, Phil Hadaway, Mark Lanza, John Motyer, David Young

Special Effects by

Phil Cory, Hans Metz, David Simmons, Ray Svedin

Visual Effects by

Syd Dutton, Bill Taylor

Stunts

John Ashby, Bruce Paul Barbour, Alonzo Brown Jr., Alex Brown, Tony Brubaker, Harold Burns, Hank Calia, Eric Chambers, Carl Ciarfalio, Danny Costa, Scott Dale, Gregg Dandridge, Vince Deadrick Sr., Nick Dimitri, Greg Wayne Elam, Ousaun Elam, George Fisher, Ralph Garrett, Jerry Gatlin, Dale Gibson, Dick Hancock, Clifford Happy, Bill Hart, Orwin C. Harvey, Eddie Hice, Johnny Hock, Terry Jackson, Terry James, Jeff Jensen, Mike Johnson, Harold Jones, Melvin Jones, Steve Kelso, Wayne King, Paul M. Lane, Lane Leavitt, Al Lee, Irving E. Lewis, Danny Mabry, Eric Mansker, Anderson Martin, Rusty McClennon, Bufort McClerkins, Dwayne McGee, Bill McIntosh, Jimmy Medearis, Bob Minor, Rita Minor, Bennie Moore, Perry Nichols, Conrad E. Palmisano, Manny Perry, Jeff Ramsey, Mario Roberts, Ben Scott, John-Clay Scott, Mel Scott, John Sherrod, Al Simon, Lincoln Simonds, Jeff Smolek, Neil Summers, R.L. Tolbert, Tierre Turner, William Upton, Rock A. Walker, Marvin Walters, Richard Washington, Brian J. Williams, Guss Williams, James Winburn, Gene Witham, Ray Woodfork, Kevin Beard, Robert Giardina, Randy Tharpe

Camera and Electrical Department

Ralph Brandofino, Allan Bullard, Keith Bunting, Andrew Casey, Don Cerrone, Marie Cosindas, Stephen Crawford, Vito DePalma, James P. Dolan, Fred H. Dresch, Bobby Earnhardt, Michael Fedack, Larry Huston, Carl Johnson, Stan Keitt, Steven Mann, Steve Mathis, Jeff Moore, Merrick Morton, Vinnie Nappo, Nick Nelson, Wade O Connor, Briggs Palmer, Douglas Pellegrino, Charles Quinlivan, C. Alan Rawlins, Riko Schatke, George Skelly, C. Ashley Sudge, David Wagreich, Joe D Alessandro, John R. Kaplan, David Larue, Brett Laumann, Larry McConkey, Scot A. Nederman-Paul, Scott Webb, William M. Weberg

Casting Department

Billy Dowd, Shay Griffin, Avy Kaufman, Donna Larson, Cynthia Stillwell

Costume and Wardrobe Department

Frank Perry Rose, Paul A. Simmons Jr., Betty Jean Slater, Michael T. Boyd, Layne Brightwell, L. Robert Stanfield

Editorial Department

Battle Davis, Tracey Featherston, Robert Frazen, Martha Huntley, Bob Noland, Brent White, Richard Garibaldi

Location Management

Sheila Allen, John B. Griffin, Ned R. Shapiro

Music Department

The Boys Choir of Harlem, Jim Henrikson, Jerry Kadovitz, Greig McRitchie, Shawn Murphy, Walter J. Turnbull, Tom Boyd, Tom Brown, Ron Hicklin, James Horner, Malcolm McNab, Bob Sanders, Sally Stevens, James Thatcher

Script and Continuity Department

Sidney Gecker, Connie Papineau

Transportation Department

John Orlebeck, Bryce Guy Williams, Albert B. Cooper IV, Roy A. Grace, Chris Sibert, L. Robert Stanfield

Additional Crew

B.H. Barry, Stan Bielowicz, Kathie Broyles, Karen Gordon, Peter Grandfield, Patti Hawn, Jeannie Jeha, Patrice A. Kiley, Kelly K. Learman, Maurice Lospinoso, Jimmy Medearis, Pat Newcomb, Doris Newman-Layne, Jeffrey A. Okun, Pattee Roedig, Paul Rousakis, Burton Sharp, Gwen Taylor-Stacy, Paul Warner, J. Walt Waters, Peter Anthony Andrews, Boris Beaubien, Sheila Cochran, Lynn K. D Angona, Louise Del Araujo, Boyce R. Doyle, Billy L. Butch Frank, John Guss, Mary Cay Hollander, Anthony S. Johnson, Dane Pizzuti Krogman, Barry J. Miller, Roger Ragland, Andy Redmond, Rodney Saulsberry, Leon Watkins, Kevin R. Young

Thanks

Norman Bielowicz, Patricia Broderick, Wesley Buford, Mark Edwards, Dale Fetzer, Shelby Foote, Ray Giron, William Gwaltney, Ardie Ivy, Tom Kaufman, J. Leonard Ledbetter, Steve Lillard, Karl Luthin, Arthur Mendonza, Ron Nichols, Mike Riley, John P. Rousakis, Scott Smith, Richard F. Snow

Genres

Biography, Drama, History

Companies

TriStar Pictures, Freddie Fields Productions

Countries

USA

Languages

English

ContentRating

R

ImDbRating

7.8

ImDb Rating Votes

135655

Metacritic Rating

78

Short Description

Glory is a 1989 American historical war drama film directed by Edward Zwick about the 54th Massachusetts Infantry Regiment, one of the Union Army s earliest African-American regiments in the American Civil War. It stars Matthew Broderick as Colonel Robert Gould Shaw, the regiment s commanding officer, and Denzel Washington, Cary Elwes, and Morgan Freeman as fictional members of the 54th. The screenplay by Kevin Jarre was based on the books Lay This Laurel (1973) by Lincoln Kirstein and One Gallant Rush (1965) by Peter Burchard and the personal letters of Shaw. The film depicts the soldiers of the 54th from the formation of their regiment to their heroic actions at the Second Battle of Fort Wagner.

Glory was co-produced by TriStar Pictures and Freddie Fields Productions, and distributed by Tri-Star Pictures in the United States. It premiered in limited release in the United States on December 14, 1989, and in wide release on February 16, 1990, grossing $27 million worldwide on an $18 million budget. The film was nominated for five Academy Awards and won three, including Best Supporting Actor for Washington. It also won awards from the British Academy of Film and Television Arts, the Golden Globe Awards, the Kansas City Film Critics Circle, the Political Film Society, and the NAACP Image Awards.

Box Office Budget

$18,000,000 (estimated)

Box Office Opening Weekend USA

$63,661

Box Office Gross USA

$26,979,166

Box Office Cumulative Worldwide Gross

$26,979,166

Keywords

19th century,american civil war,black soldier,military uniform,soldier