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Absolute Beginners is a 1986 British musical film adapted from Colin MacInnes book about life in late 1950s London, directed by Julien Temple. The film stars Eddie O Connell, Patsy Kensit, James Fox, Edward Tudor-Pole, Anita Morris, and David Bowie, with featured appearances by Sade Adu, Ray Davies, and Steven Berkoff. It was screened out of competition at the 1986 Cannes Film Festival. It received coverage in the British media but was panned by critics and became a box office failure, although modern reviews have been more favourable. Bowie s theme song was very popular in the UK, spending nine weeks on the charts and peaking at number two.
The commercial failure of Absolute Beginners and two other films is blamed for the collapse of British film studio Goldcrest Films.
Plot
Taking place in 1958, popular culture in London is transforming from 1950s jazz to a new generation on the verge of the rock and roll 1960s. Young photographer Colin is in love with aspiring fashion designer Crepe Suzette. Colin aims to be an artist with integrity. Suzette s boss, famous designer Henley of Mayfair, takes advantage of her forward-thinking designs to boost his own image.
Colin lives in the poor, ethnically diverse neighbourhood of Notting Hill. To make money, he gets a job with music producer Harry Charms, taking photos of new teen idol Baby Boom. Despite Colin getting commercial photography work, Suzette breaks up with him. She explains that she wants success and luxury in life and won t settle for less ( Having It All ). He s initially despondent, but believes she ll eventually come back to him.
Colin learns that Suzette will be at a party hosted by gossip columnist Dido Lament, and so he attends. He learns Suzette plans to marry the middle-aged, homosexual Henley for her career ( Selling Out ). Colin also meets advertising mogul Vendice Partners at the party.
Meanwhile, the Teddy Boy subculture is increasingly hostile towards Black residents in London, spurred by the recent rise in immigration. The White Defence League, led by the Fanatic, preaches fascist politics and is vehemently against the increasing ethnic diversity of London. Colin despises this rise in racist ideology.
Partners brings Colin to his advertising agency, where he shows off plans for the White Housing Development. Partners offers Colin a position as an advertisement photographer. While hesitant at first, Colin is convinced to take the job in the hopes that the money may help him win back Suzette ( That s Motivation ).
Henley and Suzette marry, but she is deeply unhappy. Colin, Dido, and Charms go on the TV show Searchlight. Dido gropes Colin, prompting him to have an outbust and rail against the elder generation trying to exploit teenagers. Later, at a jazz club, Colin is commended for his honesty on television. However, he s upset when he sees a newspaper headline about Suzette s wedding ( Killer Blow ).
Racial violence intensifies in the area. Colin s Black friend, Mr. Cool, informs him that the White supremacist movement is becoming more organized and dangerous. Colin discovers that the new White Housing Development is a scheme between Partners and Henley to redevelop the West 11. Colin sends incriminating photos to Dido in an attempt to reveal the plan, but she s in cahoots with Partners and is no help.
Colin witnesses the 1958 Notting Hill race riots ( Riot City ). His pleas for peace are ignored. The police eventually arrive and stop the violence. Colin finds Suzette and they flee a fire set by the WDL. Mr. Cool has a fight with the Fanatic and wins. There is celebratory dancing in the street as rain puts out the fires. Colin and Suzette go back to his flat and have sex. He throws her wedding ring out the window.
Cast
- Eddie O Connell as Colin
- Patsy Kensit as Crepe Suzette
- James Fox as Henley of Mayfair
- David Bowie as Vendice Partners
- Edward Tudor-Pole as Ed the Ted
- Anita Morris as Dido Lament
- Graham Fletcher-Cook as Wizard
- Tony Hippolyte as Mr. Cool
- Bruce Payne as Flikker
- Paul Rhys as Dean Swift
- Lionel Blair as Harry Charms
- Eve Ferret as Big Jill
- Ray Davies as Arthur
- Sade as Athene Duncannon
- Mandy Rice-Davies as Mum
- Julian Firth as The Misery Kid
- Alan Freeman as Call-Me-Cobber
- Steven Berkoff as The Fanatic
- Chris Pitt as Baby Boom
- Gary Beadle as Johnny Wonder
- Robbie Coltrane as Mario
- Carmen Ejogo as Carmen
- Ronald Fraser as Amberley Drove
- Joe McKenna as Fabulous Hoplite
- Irene Handl as Mrs. Larkin
- Peter-Hugo Daly as Vern
- Sylvia Syms as Cynthia Eve
- Slim Gaillard as Lloyd
- Eric Sykes as Arcade Worker
Production
Christopher Wicking worked on an early draft of the script which he said had some sort of propulsion from one scene to the next . He says the script helped raise American finance but then Julien Temple became involved and disregarded a lot of Wicking s ideas. Wicking also says the filmmakers could never reconcile if the musical numbers should advance the story or illustrate something about the characters at the time.
$2.5 million of the film s budget came from Orion and £2.5 million from Goldcrest.
Soundtrack
Absolute Beginners: The Original Motion Picture Soundtrack was concurrently released to promote the film, and the musical score was composed by Gil Evans. David Bowie s title track, Ray Davies Quiet Life , and the Style Council s Have You Ever Had It Blue? were released as singles. Abridged versions of the LP were released featuring only sides one and two, and CD versions excised the tracks Absolute Beginners (Slight Refrain), Landlords and Tenants , Santa Lucia . and Cool Napoli .
Track listing
No. | Title | Writer(s) | Artist | Length |
---|---|---|---|---|
1. | Absolute Beginners | David Bowie | David Bowie | 7:58 |
2. | Killer Blow | Sade Adu, Simon Booth, Larry Stabbins | Sade | 4:34 |
3. | Have You Ever Had It Blue? | Paul Weller | The Style Council | 5:36 |
4. | Quiet Life | Ray Davies | Ray Davies | 2:55 |
5. | Va Va Voom | Gil Evans | Gil Evans | 3:26 |
No. | Title | Writer(s) | Artist | Length |
---|---|---|---|---|
1. | That s Motivation | Bowie | David Bowie | 4:14 |
2. | Having It All | Geoff Beauchamp, Alex Godson, Patsy Kensit | Eighth Wonder featuring Patsy Kensit | 3:06 |
3. | Rodrigo Bay | Booth, Stabbins | Working Week | 3:27 |
4. | Selling Out | Slim Gaillard, Tot Taylor, Julien Temple | Slim Gaillard | 3:34 |
5. | Riot City | Jerry Dammers | Jerry Dammers | 8:28 |
No. | Title | Writer(s) | Artist | Length |
---|---|---|---|---|
1. | Boogie Stop Shuffle (Rough and the Smooth) | Charles Mingus | Gil Evans | 3:01 |
2. | Ted Ain t Dead | Edward Tudor-Pole, Temple | Tenpole Tudor | 2:35 |
3. | Volare (Nel Blu Dipinto Di Blu) | Franco Migliacci, Domenico Modugno | David Bowie | 3:13 |
4. | Napoli | Clive Langer, Temple | Clive Langer | 4:09 |
5. | Little Cat (You Never Had It So Good) | Nick Lowe | Jonas | 2:19 |
6. | Absolute Beginners (Slight Refrain) | Bowie | Gil Evans | 0:38 |
No. | Title | Writer(s) | Artist | Length |
---|---|---|---|---|
1. | Better Git It in Your Soul (The Hot and the Cold) | Mingus | Gil Evans | 1:49 |
2. | Landlords and Tenants | Laurel Aitken | Laurel Aitken | 2:46 |
3. | Santa Lucia | Ekow Abban | Ekow Abban | 3:49 |
4. | Cool Napoli | Langer, Temple | Gil Evans | 2:01 |
5. | So What? (Lyric Version) | Smiley Culture | Miles Davis, Smiley Culture | 4:18 |
6. | Absolute Beginners (Refrain) | Bowie | Gil Evans | 1:37 |
Charts
Chart (1986) | Peak position |
---|---|
Australia (Kent Music Report) | 85 |
Reception
Critical
New York Times film critic Caryn James remarked upon the unevenness of Temple s adaptation and its erratic results. Pauline Kael declared that the music was peculiarly unlyrical and ephemeral . Jeremy Allen in The Guardian praised Bowie s theme song but described the film as an overbudget turkey of huge proportions . Corey K. Creekmur stated in The International Film Musical that the film failed to deliver on the critical expectations surrounding it , although it remained a deeply interesting, if flawed, attempt to harness the contemporary musical in the services of politics and social equality .
Alex Stewart reviewed Absolute Beginners for White Dwarf #79, and stated that It s glossy, slick and superficial, with a couple of nods towards Social Significance which stand out almost as awkwardly as the stumps of the subplots that ended up on the cutting-room floor. On the other hand the singing and dancing are quite nice, the climax looks uncannily like Quartermass and the Pit set to music, and the grossly over-hyped Patsy Kensit duly meets a most satisfying nemesis by turning in a performance that would have disgraced an episode of Thunderbirds.
Absolute Beginners currently holds a 78% rating on Rotten Tomatoes, based on nine reviews.
Box office
Goldcrest Films invested £4,680,000 in the film and received £1,859,000 back, losing £2,821,000.
Absolute Beginners is a 1986 British musical film adapted from Colin MacInnes book about life in late 1950s London, directed by Julien Temple. The film stars Eddie O Connell, Patsy Kensit, James Fox, Edward Tudor-Pole, Anita Morris, and David Bowie, with featured appearances by Sade Adu, Ray Davies, and Steven Berkoff. It was screened out of competition at the 1986 Cannes Film Festival. It received coverage in the British media but was panned by critics and became a box office failure, although modern reviews have been more favourable. Bowie s theme song was very popular in the UK, spending nine weeks on the charts and peaking at number two.
The commercial failure of Absolute Beginners and two other films is blamed for the collapse of British film studio Goldcrest Films.
Plot
Taking place in 1958, popular culture in London is transforming from 1950s jazz to a new generation on the verge of the rock and roll 1960s. Young photographer Colin is in love with aspiring fashion designer Crepe Suzette. Colin aims to be an artist with integrity. Suzette s boss, famous designer Henley of Mayfair, takes advantage of her forward-thinking designs to boost his own image.
Colin lives in the poor, ethnically diverse neighbourhood of Notting Hill. To make money, he gets a job with music producer Harry Charms, taking photos of new teen idol Baby Boom. Despite Colin getting commercial photography work, Suzette breaks up with him. She explains that she wants success and luxury in life and won t settle for less ( Having It All ). He s initially despondent, but believes she ll eventually come back to him.
Colin learns that Suzette will be at a party hosted by gossip columnist Dido Lament, and so he attends. He learns Suzette plans to marry the middle-aged, homosexual Henley for her career ( Selling Out ). Colin also meets advertising mogul Vendice Partners at the party.
Meanwhile, the Teddy Boy subculture is increasingly hostile towards Black residents in London, spurred by the recent rise in immigration. The White Defence League, led by the Fanatic, preaches fascist politics and is vehemently against the increasing ethnic diversity of London. Colin despises this rise in racist ideology.
Partners brings Colin to his advertising agency, where he shows off plans for the White Housing Development. Partners offers Colin a position as an advertisement photographer. While hesitant at first, Colin is convinced to take the job in the hopes that the money may help him win back Suzette ( That s Motivation ).
Henley and Suzette marry, but she is deeply unhappy. Colin, Dido, and Charms go on the TV show Searchlight. Dido gropes Colin, prompting him to have an outbust and rail against the elder generation trying to exploit teenagers. Later, at a jazz club, Colin is commended for his honesty on television. However, he s upset when he sees a newspaper headline about Suzette s wedding ( Killer Blow ).
Racial violence intensifies in the area. Colin s Black friend, Mr. Cool, informs him that the White supremacist movement is becoming more organized and dangerous. Colin discovers that the new White Housing Development is a scheme between Partners and Henley to redevelop the West 11. Colin sends incriminating photos to Dido in an attempt to reveal the plan, but she s in cahoots with Partners and is no help.
Colin witnesses the 1958 Notting Hill race riots ( Riot City ). His pleas for peace are ignored. The police eventually arrive and stop the violence. Colin finds Suzette and they flee a fire set by the WDL. Mr. Cool has a fight with the Fanatic and wins. There is celebratory dancing in the street as rain puts out the fires. Colin and Suzette go back to his flat and have sex. He throws her wedding ring out the window.
Cast
- Eddie O Connell as Colin
- Patsy Kensit as Crepe Suzette
- James Fox as Henley of Mayfair
- David Bowie as Vendice Partners
- Edward Tudor-Pole as Ed the Ted
- Anita Morris as Dido Lament
- Graham Fletcher-Cook as Wizard
- Tony Hippolyte as Mr. Cool
- Bruce Payne as Flikker
- Paul Rhys as Dean Swift
- Lionel Blair as Harry Charms
- Eve Ferret as Big Jill
- Ray Davies as Arthur
- Sade as Athene Duncannon
- Mandy Rice-Davies as Mum
- Julian Firth as The Misery Kid
- Alan Freeman as Call-Me-Cobber
- Steven Berkoff as The Fanatic
- Chris Pitt as Baby Boom
- Gary Beadle as Johnny Wonder
- Robbie Coltrane as Mario
- Carmen Ejogo as Carmen
- Ronald Fraser as Amberley Drove
- Joe McKenna as Fabulous Hoplite
- Irene Handl as Mrs. Larkin
- Peter-Hugo Daly as Vern
- Sylvia Syms as Cynthia Eve
- Slim Gaillard as Lloyd
- Eric Sykes as Arcade Worker
Production
Christopher Wicking worked on an early draft of the script which he said had some sort of propulsion from one scene to the next . He says the script helped raise American finance but then Julien Temple became involved and disregarded a lot of Wicking s ideas. Wicking also says the filmmakers could never reconcile if the musical numbers should advance the story or illustrate something about the characters at the time.
$2.5 million of the film s budget came from Orion and £2.5 million from Goldcrest.
Soundtrack
Absolute Beginners: The Original Motion Picture Soundtrack was concurrently released to promote the film, and the musical score was composed by Gil Evans. David Bowie s title track, Ray Davies Quiet Life , and the Style Council s Have You Ever Had It Blue? were released as singles. Abridged versions of the LP were released featuring only sides one and two, and CD versions excised the tracks Absolute Beginners (Slight Refrain), Landlords and Tenants , Santa Lucia . and Cool Napoli .
Track listing
No. | Title | Writer(s) | Artist | Length |
---|---|---|---|---|
1. | Absolute Beginners | David Bowie | David Bowie | 7:58 |
2. | Killer Blow | Sade Adu, Simon Booth, Larry Stabbins | Sade | 4:34 |
3. | Have You Ever Had It Blue? | Paul Weller | The Style Council | 5:36 |
4. | Quiet Life | Ray Davies | Ray Davies | 2:55 |
5. | Va Va Voom | Gil Evans | Gil Evans | 3:26 |
No. | Title | Writer(s) | Artist | Length |
---|---|---|---|---|
1. | That s Motivation | Bowie | David Bowie | 4:14 |
2. | Having It All | Geoff Beauchamp, Alex Godson, Patsy Kensit | Eighth Wonder featuring Patsy Kensit | 3:06 |
3. | Rodrigo Bay | Booth, Stabbins | Working Week | 3:27 |
4. | Selling Out | Slim Gaillard, Tot Taylor, Julien Temple | Slim Gaillard | 3:34 |
5. | Riot City | Jerry Dammers | Jerry Dammers | 8:28 |
No. | Title | Writer(s) | Artist | Length |
---|---|---|---|---|
1. | Boogie Stop Shuffle (Rough and the Smooth) | Charles Mingus | Gil Evans | 3:01 |
2. | Ted Ain t Dead | Edward Tudor-Pole, Temple | Tenpole Tudor | 2:35 |
3. | Volare (Nel Blu Dipinto Di Blu) | Franco Migliacci, Domenico Modugno | David Bowie | 3:13 |
4. | Napoli | Clive Langer, Temple | Clive Langer | 4:09 |
5. | Little Cat (You Never Had It So Good) | Nick Lowe | Jonas | 2:19 |
6. | Absolute Beginners (Slight Refrain) | Bowie | Gil Evans | 0:38 |
No. | Title | Writer(s) | Artist | Length |
---|---|---|---|---|
1. | Better Git It in Your Soul (The Hot and the Cold) | Mingus | Gil Evans | 1:49 |
2. | Landlords and Tenants | Laurel Aitken | Laurel Aitken | 2:46 |
3. | Santa Lucia | Ekow Abban | Ekow Abban | 3:49 |
4. | Cool Napoli | Langer, Temple | Gil Evans | 2:01 |
5. | So What? (Lyric Version) | Smiley Culture | Miles Davis, Smiley Culture | 4:18 |
6. | Absolute Beginners (Refrain) | Bowie | Gil Evans | 1:37 |
Charts
Chart (1986) | Peak position |
---|---|
Australia (Kent Music Report) | 85 |
Reception
Critical
New York Times film critic Caryn James remarked upon the unevenness of Temple s adaptation and its erratic results. Pauline Kael declared that the music was peculiarly unlyrical and ephemeral . Jeremy Allen in The Guardian praised Bowie s theme song but described the film as an overbudget turkey of huge proportions . Corey K. Creekmur stated in The International Film Musical that the film failed to deliver on the critical expectations surrounding it , although it remained a deeply interesting, if flawed, attempt to harness the contemporary musical in the services of politics and social equality .
Alex Stewart reviewed Absolute Beginners for White Dwarf #79, and stated that It s glossy, slick and superficial, with a couple of nods towards Social Significance which stand out almost as awkwardly as the stumps of the subplots that ended up on the cutting-room floor. On the other hand the singing and dancing are quite nice, the climax looks uncannily like Quartermass and the Pit set to music, and the grossly over-hyped Patsy Kensit duly meets a most satisfying nemesis by turning in a performance that would have disgraced an episode of Thunderbirds.
Absolute Beginners currently holds a 78% rating on Rotten Tomatoes, based on nine reviews.
Box office
Goldcrest Films invested £4,680,000 in the film and received £1,859,000 back, losing £2,821,000.
Year | 1986 |
ReleaseDate | 1986-04-18 |
RuntimeMins | 108 |
RuntimeStr | 1h 48min |
Plot | In London in 1958, a young photographer seeks media stardom to keep the love of a beautiful, aspiring fashion designer. |
Year | 1986 |
ReleaseDate | 1986-04-18 |
Directors | Julien Temple |
RuntimeMins | 108 |
Writers | Colin MacInnes, Michael Hamlyn, Richard Burridge |
RuntimeStr | 1h 48min |
Stars | Patsy Kensit, Eddie O’Connell, David Bowie |
Plot | In London in 1958, a young photographer seeks media stardom to keep the love of a beautiful, aspiring fashion designer. |
Produced by | Chris Brown,Al Clark,Robert Devereux,Nik Powell,David Wimbury,Stephen Woolley |
Music by | Gil Evans |
Cinematography by | Oliver Stapleton |
Film Editing by | Richard Bedford,Michael Bradsell,Gerry Hambling,Russell Lloyd |
Directors | Julien Temple |
Casting By | Leonara Davis,Susie Figgis,Mary Selway |
Writers | Colin MacInnes, Michael Hamlyn, Richard Burridge |
Production Design by | John Beard |
Stars | Patsy Kensit, Eddie O’Connell, David Bowie |
Art Direction by | Stuart Rose,Ken Wheatley |
Produced by | Chris Brown,Al Clark,Robert Devereux,Nik Powell,David Wimbury,Stephen Woolley |
Costume Design by | Sue Blane,David Perry |
Music by | Gil Evans |
Makeup Department | Lynda Armstrong,Elaine Bowerbank,Peter Frampton,Sue Love,Daniel Parker,Chris Taylor |
Cinematography by | Oliver Stapleton |
Production Management | Peter Kohn |
Film Editing by | Richard Bedford,Michael Bradsell,Gerry Hambling,Russell Lloyd |
Second Unit Director or Assistant Director | Tony Aherne,Ray Corbett,Kieron Phipps |
Casting By | Leonara Davis,Susie Figgis,Mary Selway |
Art Department | Peter Bryant,Bob Devine,Richard Dicker,Geoff Kingsley,Ken Powell,Adrian Start,Peter Walpole,Derek Whorlow,Arthur Wicks,Joanne Woollard,Andrew Ackland-Snow,Charles Cottrell,Mark Fruin,Steve Furneaux,Barry Gibbs,Emma Harrison,Michael Law,Darryl Paterson,Malcolm Walker |
Production Design by | John Beard |
Sound Department | Paul Cridlin,David Grimsdale,Derek Holding,Gerry Humphreys,David John,Eddy Joseph,Howard Lanning,Matthew Launay,Tim Partridge,Lionel Strutt |
Art Direction by | Stuart Rose,Ken Wheatley |
Special Effects by | Andy Williams,Chris Corbould,Neil Corbould,Stephen Hutchinson,Mark Meddings |
Costume Design by | Sue Blane,David Perry |
Visual Effects by | David Smith,Nick Wass |
Makeup Department | Lynda Armstrong,Elaine Bowerbank,Peter Frampton,Sue Love,Daniel Parker,Chris Taylor |
Camera and Electrical Department | Graham Attwood,Stuart Game,Frank Heeney,Colin Manning,Roger Mayne,David Morgan,Mike Proudfoot,Ronald Lenoir,Carlos Melville |
Production Management | Peter Kohn |
Costume and Wardrobe Department | Roger Burton,Dougie Hawkes,Barbara Rutter,Joyce Stoneman,Barbara Higgins |
Second Unit Director or Assistant Director | Tony Aherne,Ray Corbett,Kieron Phipps |
Editorial Department | Clive Barrett,Paul Conway,Stuart De Jong,Mary Dockwrey,Helen Eley,Leonard Green,Mark Latimer,Ian Moore,Andy Stears,Kevin Phelan |
Art Department | Peter Bryant,Bob Devine,Richard Dicker,Geoff Kingsley,Ken Powell,Adrian Start,Peter Walpole,Derek Whorlow,Arthur Wicks,Joanne Woollard,Andrew Ackland-Snow,Charles Cottrell,Mark Fruin,Steve Furneaux,Barry Gibbs,Emma Harrison,Michael Law,Darryl Paterson,Malcolm Walker |
Location Management | Matthew Binns |
Sound Department | Paul Cridlin,David Grimsdale,Derek Holding,Gerry Humphreys,David John,Eddy Joseph,Howard Lanning,Matthew Launay,Tim Partridge,Lionel Strutt |
Music Department | Michael Clifford,Gil Evans,Clive Langer,Cynthia Lole,Don Mcpherson,Colin Purbrook,Daniel Secunda,Jamie Talbot,Ray Williams,Alan Wistanley,Iain Ballamy,Guy Barker,Harry Beckett,David Bedford,Brian Bromberg,Martin Drew,Slim Gaillard,Malcolm Griffith,Duncan Lamont,Chris Lawrence,Henry Lowther,Richard Pierce,Don Weller |
Special Effects by | Andy Williams,Chris Corbould,Neil Corbould,Stephen Hutchinson,Mark Meddings |
Script and Continuity Department | Mary Holdsworth |
Visual Effects by | David Smith,Nick Wass |
Transportation Department | Mark White |
Camera and Electrical Department | Graham Attwood,Stuart Game,Frank Heeney,Colin Manning,Roger Mayne,David Morgan,Mike Proudfoot,Ronald Lenoir,Carlos Melville |
Additional Crew | Tim Coghlan,Jennifer Collen-Smith,Jane Cotton,Valerie Craig,Tracy Drew,Stewart Hadley,Ray Jones,Amanda Pirie,Jenny Pollitt,David Saggs,Kathy Sykes,Jonathan Thornton,Sue Thornton,David Toguri,John Porter,Jordan Stone |
Costume and Wardrobe Department | Roger Burton,Dougie Hawkes,Barbara Rutter,Joyce Stoneman,Barbara Higgins |
Genres | Drama, Musical, Romance |
Editorial Department | Clive Barrett,Paul Conway,Stuart De Jong,Mary Dockwrey,Helen Eley,Leonard Green,Mark Latimer,Ian Moore,Andy Stears,Kevin Phelan |
Companies | Goldcrest Films International, Palace Pictures, Virgin |
Location Management | Matthew Binns |
Countries | UK |
Music Department | Michael Clifford,Gil Evans,Clive Langer,Cynthia Lole,Don Mcpherson,Colin Purbrook,Daniel Secunda,Jamie Talbot,Ray Williams,Alan Wistanley,Iain Ballamy,Guy Barker,Harry Beckett,David Bedford,Brian Bromberg,Martin Drew,Slim Gaillard,Malcolm Griffith,Duncan Lamont,Chris Lawrence,Henry Lowther,Richard Pierce,Don Weller |
Languages | English |
Script and Continuity Department | Mary Holdsworth |
ContentRating | PG-13 |
Transportation Department | Mark White |
ImDbRating | 5.5 |
Additional Crew | Tim Coghlan,Jennifer Collen-Smith,Jane Cotton,Valerie Craig,Tracy Drew,Stewart Hadley,Ray Jones,Amanda Pirie,Jenny Pollitt,David Saggs,Kathy Sykes,Jonathan Thornton,Sue Thornton,David Toguri,John Porter,Jordan Stone |
ImDbRatingVotes | 3464 |
Genres | Drama, Musical, Romance |
MetacriticRating | 60 |
Companies | Goldcrest Films International, Palace Pictures, Virgin |
Countries | UK |
Languages | English |
ContentRating | PG-13 |
ImDbRating | 5.5 |
ImDbRatingVotes | 3464 |
MetacriticRating | 60 |
Keywords | race riot,year 1958,foreplay,apology,british accent |
Keywords | race riot,year 1958,foreplay,apology,british accent |